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Soccer And US Football, Women Aren`t Their Species

20/03/2013 10:11

Soccer And US Football, Women Aren`t Their Species

 

Eleven men and the opportunity to replace them if they`re not performing well is the game of soccer in which eleven players on one team attempt to kick a ball into the net of the other team. Women are allowed to play soccer, but they`re not allowed to play alongside men at either amateur or professional levels. Although women`s teams are popular even to international standards. The difference in strength is usually given as the reason for separate male and female teams, but the default criteria is genitalia. Men have a penis and women don`t, according to the theory. However, women who are `futanarian` have a penis of their own. Apart from constituting a species independent and separate from `Man` in the sense that they don`t need a man to reproduce, and so have their own socio-economic valence and future potential as humanity, they have the right equipment to play soccer.

 

 

 In the Bible Eve is told there`ll be `perpetual enmity` between the `serpent`s seed` and `woman`s seed`, and in Revelation God gives a `new heaven and Earth` to `woman`s seed`, which suggests woman has seed of her own and, because she has her own penis as `futanarian`, she has seed, and so is the `woman`s seed`. Obviously there`s an alliterative relation between football and futanarian, and a similar relation between US football and futanarian because of the space suit style of the American footballers who receive six points for their team for completing a touchdown by getting the ball into the end zone of the opposition, while `touchdown` is the phrase used by NASA`s US astronauts to indicate a successful mission completion:

 

`That`s one small step for a man, one giant leap for mankind.`1

 

 

 The touchdown is followed by the kicking of the one point between the posts in American football, which suggests a point being made. Women`s American football teams are popular in the USA but, as in soccer, they`re not permitted to play alongside men. The one point being made is that the foot on the moon isn`t the futanarian species of women, because the `serpent`s seed` don`t want her to escape. In the Bible there`s war in heaven before the evil receive perdition, that is, eternal unendurable pain, as a punishment from God:

 

`Men cursed the God of heaven because of their pains and their sores but refused to repent of what they had done.` (Rev: 16.11)

 

 

 What they`d done was enslave the human species, which is woman and futanarian, because men are the alien parasitical virus that has formed a symbiotic relationship with her but is a contagion rather than a development. Jesus was born from the Virgin Mary uncontaminated by male semen, because he was `woman`s seed` and not a contagion. Western civilization is based on the Greek model of pederasty, which is enslavement of the `host` wombs of women to further homosexuality`s contagion of war, because that`s how the Greeks spread it.

 

 

 Attacking neighbouring city states, the Greeks enslaved the `host` wombs of women to further war. The `red dragon` of Revelation is depicted as waiting `in vain` to devour Jesus, in his Second Coming, as the `New Redeemer`, `born to the woman clothed with the sun and with the moon at her feet`, which means war cannot devour `woman`s seed`, although the `red dragon` wants to.

 

 

 God sends `blood plague` to force men to convert from pederasty and its enslaving of the human species, which is woman`s seed`, and HIV/AIDS` `biological warfare` against the `host` wombs of women is the result of their practicing the sterile valence of anal sex in which the witchcraft of pederasty mingles blood, shit and semen to further its disease. Forcing women into faithfulness by frightening `woman`s seed` with its genetically designed `biological weapon`, that is, HIV/AIDS, is that aspect of monogamy which misogyny`s `black magic`  is using to enslave and devour, and so the `red dragon` of Revelation is depicted as lying in wait.

 

 

 Although soccer`s misogyny consists in symbolically kicking woman`s egg around the pitch as the futanarian ball, US football`s misogyny is placing a foot upon the moon to hold woman here upon the Earth so that her futanarian seed can`t escape. Soccer denotes the infanticide of the human species, which is futanarian woman`s seed, that is, woman with a penis and her own socio-economic valence, because it`s twenty two men kicking her egg about as a futanarian football who`ll never be able to play with herself. A euphemism for woman as a species being prevented from living an independent existence.

 

 

 American football is the narration of how men got to the moon first and denied women`s futanarian foot life. The spaceman toddling in its romper suit upon the lunar surface is a symbol of men`s infantilism. The zenith of their aspirations after Neil Armstrong`s moon landing in 1969 was to prevent woman from leaving, and the American footballer retains the glamour of its past triumph in the shape of glossier shirts and improved helmets. However, as It says in the Bible:

 

`She shall crush his head with her heel before she leaves.` (Gen: 3.15)

 

 

 Most sports played with a ball can be associated with the `woman`s seed`. In tennis the ball is over the net, which refers to the ova of woman, which is either prevented by the contraception or fertilized, that is, caught by the net or through. In women`s professional tennis, Maria Sharapova would translate as telling the woman to `shut up and marry` because the futanarian ova is over, that is, `woman`s seed` is at `fault` at the `baseline` while `service is being introduced`, and `service` is a euphemism for enslavement of woman as a species. Because men don`t want `woman`s seed` to make a `foot fault`, which is to reproduce herself as `futanarian`.

 

 

 In cricket there are six balls to an over in which the bowler has the chance to get the ball past the batsman and hit his wicket, which is ostensibly the woman that the English knight is defending with his modern broadsword. However, if the batsman is caught while attempting to hit the ball out of the reach of the opposing team`s grasp and score four by sending the ball to the boundary, it`s symbolically the ova `catching`, which is a euphemism for the `woman`s seed` fertilizing the ova, but the catcher of the ball in cricket indicates a desire to prevent the `woman`s seed` from fertilizing the ova of woman.

 

 

 According to the Bible the woman of Revelation that gives birth to Jesus, in his Second Coming, that is, the `woman`s seed`, is hidden in a `place of safety` to which she`s carried by the `wings of an eagle`, which could correspond to the United States because of the eagle of the `Great Seal` of the authorizing office of the Presidency, but gives credence to the claim that the USA is `the Great Satan`, as it has sometimes been accused, based on the understanding that it doesn`t promote freedom for women but merely a form of `political correctness` that allows women to feel equal to homosexuals.

 

 

 Feminists argue that men and women are equal, which has evolved into the notion that homosexuals and lesbians are equally `gay`, whereas women who have a penis of their own as futanarian know the penis desires its own species. Homosexuality in pederasty is the enslaver of `woman`s seed`, which means that men are women`s parasites and not equal to her `seed`. The notion that lesbians are equal to men is false. Lesbians demonstrate the valence of their own species` sexuality, which resists enslavement in homosexual pederasty and its contagion of war and plague. In embracing the notion that women are equal to homosexuals, feminism is accepting devourment for woman as a species, which is an attempt at both genocide and species suicide.

 

 

 Most political extremes are perceived as dangerous for what they represent, but political correctness based on notions of equality between homosexuality and women in pederasty represents extremist misogyny. In ancient Greece the term enantiodromia was used to indicate what occurred if undue weighting was given to a principle applied for the common good: the reverse of what was intended.

 

 

 If woman is the means of production, because everything human comes from her `host` womb, then Marxism is `ownership of the means of production`, which is slavery. Capitalism and its `PC` feminist proponents of `Liberty` and freedom for homosexuals as women`s equals represent consumption as the devourer, where consumption is not only pederasty`s enslavement of woman to the devourer war, but the general malaise, for example, HIV/AIDS is what the criminal fraternity call a `frightener`, which enforces faithfulness in monogamy, but misogynist pederasty is the contagion that consumes faithful `woman`s seed` and its product of art, culture and civilization, in the wars of the serpent`s seed`s `perpetual enmity` against `woman`s seed` that God warns Eve will occur.

 

 

 Because low level technology, which is paradoxically represented by landing on the moon but no further, is how men keep women susceptible to the biblical `three score years and ten` as an accurséd  lifespan decreed by God against Adam and Eve`s descendants. Although God promises a `perpetual body` through Jesus as a reward for the seed of woman`s continuance and persistence against the `perpetual enmity` of the `serpent`s seed`, an eternally young life through medicine`s advance and so knowledge of herself as a species is what men don`t want `woman`s seed` to have. Because she`d be her own species` producer, and so unlike Princess Leia in the movie Star Wars (1977), for example, she`d be able to escape from enslavement through the developing of her own technology and science.

 

 

 The argument that men`s brains are more capable is a fallacy. If women have a penis of their own, they have the same equipment and better than men`s, because women are self-reproducing and self-productive. In fact art, culture and civilization is what woman has been able to produce as a self-producer, while men are the viral contagion of pederasty and war that periodically devours her to reduce her productions and maintain her as its slave womb:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17.18)

 

 

 The mystery is that Babylon is the producer, but the slave of men, whereas she`s depicted `Hollywood style` as a glamorous independent film magnate. In other words, the mystery lies in how she`s persuaded to be the slave of a parasitical alien virus rather than a species in her own right with her own penis and socio-economic `launch pad`. The reason is that she can`t escape from the alien that, contrary to Hollywood movie representations since the 1950s of fascism, communism, Islam, etc., as invading aliens, is already here, and men are simply depicting the threat as `other`, whereas the devouring alien is here amongst us now, and it`s consistent claim to be Them (1954, 2006) makes it true.

 

 

 The movie The War Of The Worlds (1953, 2005) based on science fiction writer H. G. Wells` 1898 novel is a standard for remake in Hollywood because it`s archetypally supportive of the basic principle of men, which is that the alien invader is `out there`, whereas the alien invaders in movies such as The War Of The Worlds are depicted as being what men themselves are here.

 

 

 Just as the ancient Greeks used a huge hollow wooden horse before the walls of Troy to entice the Trojan men into taking it within the city where the Greeks emerged to enslave the `host` wombs of the Trojan women to spread their contagion of pederasty and war, so the Arabian terrorist hijackers on 9/11, 2001, disguised themselves as visitors before taking over the `civil` aircraft and, using them as a `Greek horse`, crashed into the Twin Towers to further spread pederasty`s viral contagion of war.

 

 

 Troy is a city in upstate New York, and `to work like a Trojan` is laudable, but we`re taught that a `Trojan horse` is a virus, whereas a `Trojan` is a `workhorse` in idiomatic terms. HIV/AIDS is pederasty`s `Trojan horse` insofar as it works to enforce and frighten women to ensure faithfulness in monogamy to a parasitical virus that isn`t her species.

 

 

 HIV/AIDS even feigns friendship, as the Greeks feigned the offering of the `Trojan horse as a gift` before Troy,2 and the Arabian terrorists feigned friendship for the Americans of New York state as tourists, by pretending to be white cells of the body`s immune system before killing it.

 

 

 9/11, 2001, was a 21st century alien invasion movie for the small screen, `live on CNN`, and the USA who, since 1979, had actively supported Saddam Hussein, because of Iran, and the Taliban in Afghanistan against the Russians, with alacrity accepted the aliens` invitation to spread its contagion of devouring pederasty and enslavement to further war. The comparable science fiction movie of the period was Mars Attacks (1996), which was presented as a `spoof`, but the concept of the Earthmen`s endeavouring to make peace with the iredeemably warlike aliens is what woman as the species on the planet Earth has been trying to do since her womb was taken over by the aliens.

 

 1 GMT 02:56, July 20, 1969,

 

https://news.bbc.co.uk/onthisday/hi/dates/stories/july/21/newsid_2635000/2635845.stm .

2. Virgil The Aeneid `Beware Greeks bearing gifts.` Bk II, 19 B.C.

Arabian Haiku

16/02/2013 23:22

The sun`s love of warming me;

The cold pure water.

 

Diana Was Murdered

25/12/2012 15:32

Diana Was Murdered

 

A nation mourned, as its media had collectively organized a `black mass` for `Di the Virgin`, Princess of Wales, since she was married in St. Paul`s Cathedral to Prince Charles of England in 1981. Up against the wall, not on the verge, was the 1997 `message`, after her car crashed in Paris` Pont D`Alma tunnel, to Dodi Fayed and the hopes of the Middle East when Princess Di lived up to the name she`d been given since birth by her aristocratic forebears and the vultures of the paparazzi – and died before she could become a female political figure for stability in Arabia. Diana Spencer was 20 when she wed Charles Windsor, heir to the throne of Queen Elizabeth II, reigning monarch of the United Kingdom, head of the British Commonwealth, and last Empress of the British Empire, upon which `the sun never set` because it was so vast sunshine was always to be found somewhere on its upturned face.

 

 

On 9/11 her murderers were still playing `apple bridge`, which is what the French Pont D`Alma means. In `cards` pontoon is a game in which the aim is to reach 21. Moreover, a pontoon is not only 21 but a bridge across the water so that troops may cross, while `the pond` is what the British and Americans call the Atlantic ocean between Britain and America. Someone was playing `pontoon` on 9/11 at the `Big Apple` and at the Pont D`Alma in 1997 to maintain the bridge over the water between the UK and the USA but to destroy the bridge between the West and the Moslem peoples. On 9/11 the Al Qaeda terrorists boarded `civil` airliners at Logan airport, for a `black mass` in Boston, Massachussetts, where the Catholic Kennedy family had produced but one President, John `Jack` F. Kennedy, from several, because of assassination of one sort or another, and 9/11 or `blackjack` was the `bludgeon` raised against him again:

 

`Let every nation know... that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe, to assure the survival and the success of liberty.`1

 

 

In the science fiction movie Logan`s Run (1976) anyone over the age of 21 is marked for death, and 9/11 means that the winning player in receipt of either 9 or 11 from the deal, where an ace can count as 11, can stick at 20 or win at 21, if they hold the second highest valued card, which is 10 or a `picture card` of the same value. Because `one-eyed Jacks` are also `floating`, which means they can count as 11, the terrorist targeted `Twin Towers` corresponded to `black two`, which also `floats` or can signify a card of a higher value in `porn toon`. The name of the brothel in David Lynch`s surrealist TV series Twin Peaks, `One Eyed Jacks`, may have influenced the puritianical element amongst the Islamic fundamentalist terrorist card players` redefining of `pornography` for American viewers who were watching the surreal events of 9/11 live on CNN and who believed it was a `Hollywood` movie.

 

 

The `handle` of the snake-eyed `hackers` floating into the USA`s computerized air defence system on 9/11 was `the end is nigh Jack` after the `game` of `pontoon` they were playing on the strength of the bridges built between the West and the Middle East begun by Elizabeth II of England and that she had been endeavouring to keep in place since her coronation in 1953 when guests included the rulers of Bahrain, Kuwait, and Qatar; representatives of the kings of Afghanistan, Iraq, Yemen, Libya, and of those of the heads of states of Israel, Syria, and Lebanon. While Queen Elizabeth presided over the dismantling of the British Empire and its reconstruction as a Commonwealth of independent states, the monarchies of Arabia were replaced by democratic governments and, after the second Gulf War (2001-11), the `Arab Spring` of 2011 saw popular uprisings and the abrupt termination of the reign of Hamad Bin Isa Al Khalifa in Bahrain, the governments of Egyptian President Hozni Mubarak, Ali Abdullah Saleh of Yemen, Colonel Gaddafi`s regime in Libya and Zine Al Abidine Ben Ali in Tunisia, while Syria was attempting to remove Bashar Hafez Al Assad whose original family name was Al-Wahhish, `the beast`. In the movie Logan`s Run the plot is that all those over the age of 20 must die. The Arab terrorists hijacked planes from Logan airport, so the aim was to murder the 21st century because `the beast` feared the birth of the `New Redeemer` whose hand would win against it, according to Revelation, because he would `rule with an iron sceptre` over the Earth:

 

`Let the word go forth.....that the torch has been passed to a new generation of Americans.`

 

 

In Revelation the `woman clothed with the sun and with moon at its feet` gives birth to the `New Redeemer` while the devouring `red dragon` waits in vain. Over New York Harbour, the terrorist hijacked planes flew to crash into the Twin Towers of the World Trade Centre of the `Big Apple`. Just as Queen Elizabeth II built bridges with the Arabian kings and princes for the West so Princess Di built bridges across the globe, but became Princess `dead` when terrorized out of life by paparrazi hounding her at the `Bridge of the Apple` in Paris for seeking to further her historical role by marrying the Egyptian businessman, Dodi Fayed:

 

`In January 1997, pictures of Diana touring an Angolan minefield in a ballistic helmet and flak jacket were seen worldwide. It was during this campaign that some accused her of meddling in politics and declared her a 'loose cannon'.`2

 

 

Those who were playing the `bridge` game of `pontoon` and `acting` in the movie of Logan`s Run at the `Big Apple` of New York`s World Trade Centre`s Twin Towers, sought to destroy those political and `economic` bridges. Diana`s appearance in the minefield was instrumental in the United Nations outlawing of landmines:

 

`All Honourable Members will be aware from their postbags of the immense contribution made by Diana, Princess of Wales to bringing home to many of our constituents the human costs of landmines. The best way in which to record our appreciation of her work, and the work of NGOs that have campaigned against landmines, is to pass the Bill, and to pave the way towards a global ban on landmines.` Robin Cook, British Foreign Secretary, House Of Commons, 1998.

 

 

The woman of Revelation is she who `clothed with the sun and with the moon at her feet`,gives birth to the `New Redeemer` while the devouring `red dragon` waits in vain, and although the `red sun` of Japan`s flag of Imperialism never flew over Pearl Harbour and the yellow moon of Al Qaeda`s terrorism didn`t plant its flag in New York, Princess Di`s Pont D`Alma `wall tunnel crash` was as significant as any Wall Street Crash:

 

`Mohammed Fayed accused The Duke of Edinburgh and The Prince of Wales of killing Diana and Dodi because the Prince was furious that Diana was dating Dodi. His testimony was roundly condemned in the press as being farcical. Members of the British Government's Intelligence and Security Committee accused Fayed of turning the inquest into a 'circus' and called for it to be ended maturely. The inquest lasted for six months, and the jury verdict, declared given on 7 April 2008, was that Diana and Dodi had been unlawfully killed through the negligent driving of [chauffeur] Henri Paul and those in control of the pursuing [paparazzi] vehicles.`

 

 

9/11 didn`t seem to be about economics or serious politics, but `rough trade` is the term used by homosexual pederasts of those whom they prey upon. Diana Spencer`s crusade against `landmines` was countered on 9/11 by `yeah, mine`. The airborne `red dragon` of devouring homosexual pederasty`s enthronement of nihilism rather than brook any heir to the throne of the Earth other than itself. Diana`s campaign against landmines was because of the numbers of minors becoming casualties after cessation of hostilities.

 

 

The `Twin Towers` were the legs of `Liberty` blown off so that the minor she was giving birth to, that is, the `New Redeemer`, woudn`t be born. Arabia`s grudge against Diana`s visibly redefining of a woman`s boundaries was as a too visible proponent of woman`s freedom to lands where women must perforce wear the one piece coverall of the burkah. The terrorist response was to tell `Liberty` to cover her legs, which is why the twin craters in the aftermath of the towers` collapse looked like the result of someone`s having stepped on a mine. Possession and consumption is the valence of the `red dragon` of homosexual pederasty, and woman was being advised by the alien parasitical draco that it was her `leech` and none other. In Arabia it`s traditional that a man is a leech until he becomes a man, because the male valence is parasitism and violence:

 

`… the [human] embryo … obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`3

 

 

The terrorists and their draco were `leeches` seeking to strengthen their hold on their parasitical valence of homosexual pederasty. Britney Spears was similarly assassinated as a woman of potential influence when she was judged by those possessed by the valence of homosexual pederasty to be an `unfit mother` and her fortune of billions of US dollars was confiscated by the US judiciary to be `suitably` devoured when she was `better`. Ostensibly, Britney was made penniless, despite having earned billions of dollars, because Manhattan took offence at her boy`s baseball cap falling off in the street near a `Big Apple` hotel she was staying at off Central Park, New York, while she was running for her car chased by paparrazi in late May 2006.

 

 

The `cap` wasn`t on the `little man` in Manhattan, that is, the oil gusher of Britney Spears` well of creativity and sexuality wasn`t `capped`. The `little man` is a euphemism for the clitoris, and is definable as the only `human` organ because it’s the only aspect of sexuality designed by God, the creator, solely for the pleasures of love.

 

 

Having declared herself `bisexual`, according to `politically correct` feminism, Britney`d announced her `homosexuality`, whereas women who are bisexual have a lesbian valence and the `red dragon` of homosexual pederasty`s war against her is partly to `cap` her wellsprings of creativity and growth. Political correctness is a means employed by the evil to use feminism as a tool of homosexual pederasty against woman`s love for itself as a species. Especially as futanarian women with a penis of their own constitute the reproductive and economic valence of the human species of woman, whose clitoris is the `human valence of pleasure` because it`s the only organ of the human body designed solely for love. Consequently, woman`s economic valence is to produce, as the producer, what she desires as a species, without an `owner`, which is `Liberty` and the birth of the `New Redeemer` from her.

 

 

Futanarian woman would be defined as `homosexual` and `lesbian` by feminist political correctness, and so woman as a species with her own penis as but another valence of the `red dragon` of homosexual pederasty and its wars against her, but the valence of economy is human. In short, humans accept God because they`re human, whereas aliens don`t accept God because they don`t want to be human. The Bible promises heaven to those who accept they`re human, and perdition to those who don`t. Consequently, humanity`s economic valence is humane because humans accept God, whereas the `red dragon` of homosexual pederasty is inhumane and non-human because it’s the expression of men`s violence and war against the human species of woman, which is concerned with the nurturing, development, and maintenance of flesh to which God has promised immortality and that Christianity describes as `Salvation` through the acceptance of the teachings of Jesus and the Holy Spirit, or Paraclete, that teaches humanity.

 

 

The `cap` that fell of the head of the son of Britney Spears in the `Big Apple` of Manhattan in May 2006 was the lever used to pry Britney`s dollar billions from her control. Just as the terrorist attack on the Twin Towers was designed to `cap` the new economic valence of woman, so the attack on Britney Spears for letting her son`s cap fall off in the `Big Apple` of New York was an attempt by the devouring `red dragon` of homosexual pederasty to make an example of her and deter women from achieving an economic valence. By `capping` sexuality, homosexual pederasty seeks to define the pleasure of women as worthless. Britney`s subsequent controversial single Criminal (2011) presents her as an unfit mother, but is in accordance with the valence of homosexual pederasty and violence so is acceptable from a mother in `Greek` terms:

 

`BABYLON, THE GREAT, MOTHER OF HARLOTS, AND OF THE ABOMINATIONS OF THE EARTH.` (Rev: 17.5)

 

 

Babylon is described as a woman who rules in the Bible, and she represents the valence of the evil male alien viral pederast that forces women to reproduce its parasitical life form. Consequently, Britney Spears` Criminal is viral but acceptable to the `red dragon` of homosexual pederasty, vileness and corruption, which is what assassinated John F. Kennedy`s (1963) brother Robert Fitzroy Kennedy was fighting in 1968, after John`s murder by a lone sniper in Dallas, Texas, in 1963, when `Bobby` himself was gunned down as the Presidential nominee for the Democratic Party in L.A.

 

 

Originally, the lyrics of Criminal were written for Marilyn Monroe and began `I`m in love with the President [John F. Kennedy]`, but the song was felt to be too well directed at his wife, Jackie Kennedy, in view of Marilyn`s affair with John. Marilyn was found drowned in a swimming pool in 1962, verdict `death by misadventure`, because she represented a challenge to monogamy, which is the basic unit in the possession and consumption economy of the `red dragon` of devouring homosexual pederasty based on `ownership of the means of production` in order to produce more `young bums` that`ll fight for a woman, that is, monogamy is designed to separate the love of women from the `individual` man, which is what `Jack` Kennedy was:

 

`He is a loser, he's a bum

(Bum, bum, bum)

He is a sucker with a gun

(Gun, gun, gun)

… I'm in love with a criminal.

He is a killer just for fun

(Fun, fun, fun)`

 

 

In ancient Greece the spectre of war was a part of the society`s valence and women were bred as animals to produce warriors from their wombs which were the `host` for the Greeks enslaving of other societies so that they could spread their contagion of homosexual pederasty and war further. Against Troy they employed the device of the huge wooden hollow horse as a `gift` from which they emerged inside the city walls to enslave the `host` wombs of the women for their parasitical alien virus.

 

 

In Revelation the `blood plague` of the `red dragon` corresponds to the HIV/AIDS virus as a form of homosexual pederasty`s `biological warfare` against the `host `wombs of the women of the Earth. HiV/AIDS `feigns friendship` for the defending cells of the body it kills, and the terrorist hijackers `feigned friendship` for the USA when boarding `civil` aircraft at Logan before spreading their Arabian machismo`s `virality` to the `body politic` of the Western powers. In short, the biblical `red dragon` of war`s valence of homosexual pederasty`s `rough trade` isn`t `genuine economy`.

 

 

The terrorists from Logan emulating those who murder the girl on her 21st birthday in the movie Logan`s Run (1976) represent the homosexual pederast`s aim of preventing woman as an economic valence from developing in the 21st century. The history of the Earth is a homosexual`s `peep show` in which WWI (1914-18), WWII (1939-45), and WWIII`s Gulf Wars (1990-2011) were followed by the `War on Terror` (2003-), which should have been a financed medical war against the sexual terrorism of the `red dragon` of the `blood plague` of HIV/AIDS` misogynist and homosexual pederast`s `biological war` against women`s `host` wombs.

 

 

On the `world wide web` of WWW`s endlessly boring `porn wars` against woman as a species` reproductive valence, the `red dragon` of devouring homosexual pederasty and war aims to laugh at `Woman`, who has even developed her own penis as futanarian woman in an attempt to avoid the economic valence of the alien parasitical virus, that is, men, and which lives from her as a devouring draco, in an attempt by God`s woman to produce civilization, art and culture from the daughters of her wombs, because mankind won`t accept the teachings of Jesus and the Holy Spirit and be kind enough to accept Redemption.

 

 

In Genesis the evil serpent`s `seed` is told that it shall have `perpetual enmity` with the woman`s `seed`, and in Revelation the serpent`s `seed` war in heaven and are defeated by the `seed` of the woman. Her `seed` receives a `new heaven and Earth` and the serpent`s `seed` grown into the `red dragon` receive perdition. If the economic `seed` of the `red dragon` is homosexual pederasty`s devourment of the Earth, and other forms of `consumption`, such as the tax on sex in the form of the cancer HIV/AIDS, woman`s struggle to provide a new economic valence has found favour in God`s creation with the futanarian woman who has a penis of her own. Obviously, the homosexual pederast doesn`t want woman to express her own economic valence so the `world wide web` is the new WWW battleground in which the `porn wars` are fought for acceptance of women with a penis of her own as the species of the Earth. Because men can`t function as `fatherers` and, although `ass shamed` in front of God, still aren`t too `ass shamed` not to play `porn toon` and admit it:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

 

 

In 1948 George Orwell wrote the novel 1984 in which `Big Brother Is Watching You` is the slogan of the totalitarian government that imposes surveillance upon its entire population so that television, mandatory in every household, watches every householder, and CCTV watches everything else too. If 9/11 was designed to implement global surveillance on the part of the police, 9/11 was also designed as a successful reversal of 911, which is the telephone number of the police in the USA. The `number of the beast` of Revelation is `six hundred three score and six`, or 666, which is the reversal of the telephone number of the police in the rest of the world, where 999 is the `number of the beast`.

 

 

In 1973 pop singer Suzi Quatro had a hit 48 Crash which has undertones of Orwell`s vision of the 20th century if 48 is understood as an Orwellian 84 because the song 48 Crash would then refer to global economic surveillance on the part of the devouring `red dragon` of homosexual pederasty as it sought to promulgate such events as the Wall Street Crash of 2008 in order to create an economic depression for the `red dragon` of the economy boosting military industrial complex (MIC) to step into and foster economic growth by means of war, which seems okay because its economic growth, but the `red dragon` of homosexual pederasty is what`s growing from the evil serpent`s `seed`:

 

`You`re so young, you`re a real hotshot son of a gun.`

 

 

The assassination of `Di` Spencer in the Pont D`Alma tunnel crash and the murder of the WTC in favour of `rough trade` at the `Big Apple` suggests that `apple scrumping` is the only aim of those who survey the world`s economy for the devouring `red dragon` of homosexual pederasty and war. Suzi `Q` fronted the fictional pop band Suede and the Leathers in the TV situation comedy Happy Days (1974-84) in which Fonzie`s famed double thumbs up catchphrase was:

 

`Hey!`

 

 

The Twin Towers were a `big thumbs up` for the introduction of global police surveillance. Just as Princess `die` was a triumph for the virus` `programing`. The paparazzi could have called her Princess `D`. Women`s economic valence isn`t to provide `rough trade` for homosexual pederasts to watch TV and enjoy the fruits of her womb being devoured across the globe by old faggots who should have been burning in hell forever generations ago.

 

1 https://en.wikipedia.org/wiki/JFK

 

2 https://en.wikipedia.org/wiki/Mohamed_Al-Fayed

 

3 https://www.islam-guide.com/ch1-1-a.htm

The 50s Alien Invasion Movie And The Culinary Triangle

05/12/2012 18:29

The 50s Alien Invasion Movie And The Culinary Triangle

 

In the structural anthropology of Claude Levi-Strauss, the mainstay of his socio-economic theory is the `culinary triangle`, which is depicted as the geometric formula for historical advancement through technology. Cooking is the basis for socio-historical progress. As evidenced by Cain`s murder of Abel in Genesis because Abel was able to cook and Cain wanted the laziest life that was possible outside of Eden, which was picking fruit and eating it. Consequently, Cain was the protypical murderer and thief, because he represented the individual who would rather take from others, including taking their lives, rather than work. Cookery is the prototype of work, which has been thought of as women`s work for generations because Cain, that is, the evil serpent`s `seed` since Eden, would rather someone else worked.

 

 

 In terms of Claude Levi-Strauss` theory, Cain couldn`t construct a `culinary triangle` with Abel, although Abel was able to cook, which means the evil serpent`s `seed` are those criminals who murder the cook after the meal has been prepared, because they`re only concerned with picking fruit as monkeys from the trees rather than grow food. In simple terms, trees are analogous to humans from the murderers perspective, which is why murderers aren`t human, in accordance with God`s laws for humanity.

 

 

 According to Claude Levi-Strauss the first stage in human development is growing food, and the second stage is cooking, while the third stage is fermentation, which produces cheese, wine, etc. However, Cain didn`t get to the second stage because he doesn`t want to produce, or reproduce, with Abel, and doesn`t want to. He wants to pick fruit and murder those who prepare food for him. Because he`s evil and that`s what the Bible tells us. Consequently, if Cain doesn`t want to cook and Abel wants to, Cain will murder Abel for the food he`s cooked. If Abel is able enough to marry and build a house, where his wife can cook, Cain will murder Abel for his wife who cooks, and murder her so that he can have the house. Moreover, if Abel is able enough to build a civilization and culture, Cain will murder him because, if Abel and his wife can escape him, he`ll have no one to steal cooked food and property from.

 

                      rotten (cheese, yoghurt)

cooked                                                                    raw

 

If a woman produces a daughter who can `cook` as she can, it means that the pair correspond to what Claude Levi Strauss describes as the `human valence`, which is that of the individual that can grow and `cook` food. Not because Cain can have a free meal, if he murders Abel and his wife, but because Cain can have a house that he hasn`t built, which is the response of the evil serpent`s `seed` to the `human valence`.

 

 

 Clearly the `human valence` is inadequate from the able person`s point of view. If Claude Levi-Strauss` `culinary triangle` is growing food, cooking food, and allowing milk to rot in order to produce cheese, a woman doesn`t need a man.  Consequently, she`s escaped if she can reproduce without a man, and women have a penis of their own as `futanarian`, which means the `human valence` has woman as a species, whereas men isn`t because men can`t reproduce without women. In terms of the `culinary triangle`, men can`t reproduce together, which means that the triangle has only one side insofar as the mother-daughter reproductive valence represents an `eternal triangle` in which the daughter can marry with her own species as the third woman in the triangle, because she has a penis of her own as `futanarian` woman.

 

                                  futanarian

daughter                                                            mother

 

 Because men can`t reproduce together, the `culinary triangle` collapses at the picking fruit stage, because Cain murders Abel. The more able person is identified as a threat, because they might escape, and Cain would have to work rather than steal and murder. Consequently, because Cain and Abel`s valence is that of the evil serpent`s `seed`, insofar as they can`t reproduce together, and they destroy whatever emerges from the `host` wombs of the women they have parasitically enslaved in their periodic wars against her Earth, the `human valence` is woman`s, as a nurturing species with her own penis` reproductive capacity, and what`s to emerge in women`s future as art, civilization and culture that isn`t preyed upon by the male parasite.

 

                                     Abel

                                                                                Cain

 

 If you`re Abel you can escape, but if you`re not Abel you can`t. And Cain won`t let you escape, so you must be disabled from Cain`s perspective.  Consequently, the aliens have emerged upon the Earth as the locusts of the Bible that are foretold in Revelation, and they don`t want to improve technology because that would enable those who didn`t want to be locusts to escape. Ancient Greek society was based on the principle of homosexual pederasty`s enslavement of women`s `host` wombs so that wars could be waged and there`d be more homosexual pederasts.

 

 

 In the Bible the `red dragon` is depicted waiting in vain to devour the `New Redeemer` while the woman of Revelation is giving birth. `MYSTERY, BABLON, THE GREAT, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH` is a mystery because she is enslaved by the parasites of homosexual pederasty to produce `gay boy sons` to fight the red dragon`s wars. In the late 20th century warfare had become `biological` insofar as the `gay boy sons` had produced `gay poisons`. HIV/AIDS prevented the woman `clothed with the sun and with the moon at her feet` from giving birth to the future of humanity. By forcing her to cleave to monogamy as the basis of her enslavement by homosexual pederasty`s misogynist devourers of the products of her `host` womb in their endless wars. `Babylon` is woman as the enslaved species, which is why she`s `the great`, because she`s in thrall to the warring aliens and represents woman`s unwilling subjugation. The woman giving birth to the `New Redeemer` is freedom because she represents the `futanarian` valence of woman with her own penis as a species with a human economic valence that resists enslavement.

 

 

 Most 20th century literary critics perceive that aliens are extrapolations of men`s fears, but few have conceived that the aliens are men and that what they fear is that the `hidden` woman of Revelation, whose `seed` is to receive a new heaven and Earth while the evil `seed` receive unendurable eternal pain as a punishment, will escape. Consequently, events such as 9/11 are the marriage of the devouring dragon and the willing whore, whose child is war against woman and her womb, and is designed to prevent her new economic valence as the human species of woman with a penis of her own from emerging as `new humanity`, which is why the World Trade Centre was attacked. Because `rough trade` is war and homosexual pederasty.

 

 

 The hijacked planes that crashed into the Twin Towers from Logan airport represented men`s fears couched as a 50s `scifi` movie, that is, the fear that women would escape them. In the movie Logan`s Run (1975) everyone over the age of 21 is murdered, and so 9/11, 2001, was the attempted murder, at the beginning of the 21st century, of woman`s human valence, whereas Revelation describes the advent of the `New Redeemer`, who protects the woman of the Earth with an `iron scepter` after the dragon waits in vain to devour him, which probably corresponds to the events of 9/11, and the subsequent second Gulf War (2001-11) and the War On Terror (2003-).

 

 

 9/11 was a 50s `scifi` movie because men are the alien threats that they use to enslave woman as the Earth`s species, whereas the typical 50s scenario is of aliens threatening to enslave humanity, which is in fact what men do. As aliens that are living as parasitical devourers of the species woman on the planet Earth. The aim of the 9/11 `alien invasion movie` starring men as the 50s aliens was to reestablish business suited males as the `owners of the means of production`, that is, women, and restore the 50s `alien invasion` movie they`d been the 50s aliens in. Threatened by a 21st century that was 50 years too far ahead of them, further advances in technology might result in women`s escaping the 50s and its men who had invaded and enslaved them as their devouring aliens.

The Role Of The Good Critic

03/12/2012 14:57

The Role Of The Good Critic

 

In the developmental psychology of Carl Gustav Jung (1875-1961) is posited the `God archetype`, an unconscious content of the psyche that seeks expression through the lives of individuals. The `God archetype` takes many forms, which Jung calls archetypes. Most archetypes are related to what Jung sees as the soul, which is largely circumscribed in the figure of the anima, and appears in its fullest describable form as the Wise Old Woman who, because a woman would have to be immortal to keep her knowledge, is seen as the eternally young goddess.

 

Jung`s literary analysis of alchemical symbolism points to the struggle of the `God archetype` to express itself in Medieval chemists` search for a panacea to the ills of their society, and much symbolism revolves around the idea of physical hermaphroditism as a necessary adjunct to the creation of wisdom symbolized by the lapis philosophorum or philosopher`s stone.

 

The woman with a penis is not an alchemical fantasy, but can be found by anyone with an internet connection in the 21st century ( https://www.futanaria.com ). Because women have a penis, they`re a species. In Jungian psychology, there are many `hero` archetypes, but the notion that women are a species places a question mark over the role of the `hero`. In the Bible the main heroic figure of Revelation is the New Redeemer who protects the `hidden` woman before she leaves Earth to sow her own seed, with her own penis presumably, as a prelude to her war against evil in heaven. The Bible tells of how she is victorious and the evil receive eternal unendurable pain as their punishment.

 

 

Revelation describes how God sends plagues to deter the evil of the Earth: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10) Many have perceived these `sores` to be AIDS. If women are a species, then men are a parasite. Consequently, those who support the parasites from amongst the species of women correspond to the `Great Whore of the Apocalypse, Babylon the Golden`. Because Babylon is the ancient seat of Iraq, the Gulf Wars (1990-2011) represent the dying throes of a previously unshakeable viewpoint, which is that women are for men, whereas Woman is for her own species, and so those who support Mars, the god of war, against what Woman can make of her Earth, are men`s whores, that is, `sores` of Revelation.

 

The new perspective is difficult, but women who support men against Woman are, effectively, traitors to their species. It emerges from the `pimp, whore` relationship. The pimple becomes a sore. The woman explains to her pimp that she`s married and together they feed upon her husband as parasites; as many `spivs` did during WWI and WWII. Those women who support the parasites produce sores, that is, boy sons (poisons) produce poison`s `sores` (whores).

 

 

The hero of Revelation functions as a `protector`, which is a dangerous idea. Men want to feel like heroes, and so large numbers of women and children are daily murdered in numerous petty conflicts across the globe so they can feel like it. If women have a penis, and the archetypes appear in dreams, imagination, and art to reveal the path of development to the individual, which is how they function, according to Jung, then Woman`s psyche should not contain a hero figure because men aren`t her species. Consequently, all media representations of men are designed to constellate imagos of themselves in Woman`s psyche that have as their goal the illusion they they`re her defenders while in fact they are the monstrous destroyers of her planet. It`s a propaganda war based on the idea that, if the image is accepted, then the image belongs. But if men are a parasite then they don`t belong, and their image of themselves is merely the tool of a clever alien that seeks the death of all life.

 

In the Elizabethan period of English theatre, William Shakespeare was told he could stage his plays with men only. There are clues in thespian circles as to the meaning of such prohibitions. In Pantomime the hero is played by a young woman, so the figure of Aladdin, for example, is a girl and her penis is implied but seemingly as a joke. However, if women have a penis of their own, it`s perfectly feasible to stage a Shakespearian drama in which all of the male characters are played by women with a penis and the female characters are played by women without a penis, so making Shakespeare a species` production rather than a `women with their parasites` satire.

 

 

In Shakespeare`s Twelfth Night, or What You Will, Viola cross-dresses and appears as a man, but this is far more than farcical if we understand that women have a penis and Viola is presenting herself as what she is. In short, literary criticism isn`t about levels of meaning; it`s about correct perspective. It may be amusing to an audience to perceive that Viola, as the go-between for Olivia and the Duke, is dressed as a boy. But critics have defined the relationship between the Duke and Viola as `homoerotic`, whereas the perspectivally accurate perception is that Viola has a penis because she`s a woman and men are evil because their perspective is homosexual. From that vantage point Viola could be seen as a pimp procuring a woman for the Duke, which is in accordance with the `poisonous whore` thesis.

 

Viola could also be viewed as Shakespeare`s true vision of the `hidden` woman of Revelation whose penis exists but isn`t acceptable to men who prefer boy, son, and sores. In other words, Viola`s relationship with Olivia is `lesbian` but Godly because it isn`t poisonous, whereas her relationship with the Duke is `normalled` but false. Inevitably productive of boys , sons, and poison`s sores (whores) Woman`s relationship with her parasite is necessarily one of poisoning. It breathes in her womb and lives from her blood. It`s a false creature from its inception, and so poisons everything she is because it isn`t `true`.

 

If the psychology of Carl Gustav Jung is accurate, the `God archetype` functions as a `determinator`, which in literary criticism might be used as a perspectival analyser. In simple terms, there are no heroes save women. To critically understand any given literary work, it`d be necessary to put a woman with a penis into every role formerly played by a man. Similarly, a critic couldn`t be understood as giving a true analysis of any literary work, visual or textual, without describing the artistic product from the perspective of their knowledge of the fact that women are the species on the planet Earth and have a penis of their own. In other words, men`s art, designed to subvert the truth that women don`t need men, reveals them as promotive of a `big lie`.

 

 

The role of the critic is to describe what the archetype as determinator is trying to say from God`s point of view. Consequently, such epic novels as D.H. Lawrence`s The Rainbow, Women In Love, and Sons and Lovers miss the point. The novel that should have been written was Mothers and Daughters because women are a species and lovers is what they should be. The Lawrence novel that was banned was Lady Chatterley`s Lover, not because it explored sexual themes, but because it approached the exploration of sexuality from the woman`s point of view. The central male character is `Manners` because he represents the understanding that men are the aspect of the human species that has the penis, whereas women are the species because they have their own penis and the parasites that are men can`t reproduce themselves without women. `Manners` is `behaviouralism`. Men have a penis, but it isn`t theirs. Manners in Lady Chatterley`s Lover is the behaviouralist thesis that women behave because they need men`s penis but, if women have a penis of their own, men`s enslavement of women`s `host womb` is surety that they`ll `behave`, and so men are definable as the continuous reification of evil.

 

 

Sophie Moone, in Hungary, makes lesbian pornography because she`s defined a s a lesbian, but if she had a visible penis she`d be defined as a woman, and even what the Bible defines as `Mankind` at its closure in Revelation when the `hidden` woman leaves the Earth to sow her seed amongst the stars. In science fiction terms, it`s the prototypical war between `Mankind` and the aliens, where men are the aliens and women are `Mankind`. In scifi men are depicted almost constantly fighting wars against aliens, because women and the Earth must be protected from them. Exactly. 

Seasons

06/10/2012 09:14

Snowdrops in Spring,

Sunny in Summer,

Leaves in Autumn,

Yule Log,

Robin in Winter

 

The Knights Of Abel With Rounds To Spare

18/07/2012 14:05

The Knights Of Abel With Rounds To Spare

 

 

They`re Cain, and they`re not Abel,

They kill routines and bore all scenes

With piece work implacable.

 

 

They ate, smelt there, and frowned a lot,

Their kind is hand and sperm a lot.

They`re knights of the dead Abel,

That lowly curséd Abel

In olden times with nursery chrymes

That didn`t quite sink Abel.

 

 

They`re Arthur sad in come a lot,

The vas deferens between a wife, and Lot.

Sodom`s Addam; Kuwait assault at Abel,

Eve her unquench she Abel,

`Neath the guests` `Last Supper` quests:

 `O Thou Arthur

- transubstantiate Abel.`

 

 

She's a busy wife, Sir Lancer Lot,

Bush burning, it did sprake a lot.

 

 

- sing to the tune of `Knights Of The Round Table` by Monty Python from Monty Python and the Holy Grail (1975)

Onan and Snow White

21/06/2012 15:48

Onan and Snow White

 

In Genesis Onan`s brother is murdered because he`s `wicked ` (38. 9-10), and the explanation is that he didn`t want to impregnate his wife, Tamar, so that she would remain beautiful. Er was murdered by God and Onan was told to impregnate Tamar, who was Onan`s sister-in-law, but Onan refused and `cast his seed upon the ground`, which was an act supportive of his brother`s perspective that the woman`s eternal loveliness was more important than fertilization. In other words, Er and Onan were looking towards immortality and God was looking for mass production. In terms of the production process, Er and Onan wanted quality while God wanted quantity. Er and Onan represent the notion that an immortally beautiful woman wouldn`t want to reproduce, and they wouldn`t need her to.

 

 In the story of Snow White, the Queen is `wicked` because she has a mirror in which she perceives herself to be the `most beautiful woman in the world`. Each day she asks of her mirror the question: `Mirror, mirror on the wall; who is the fairest of them all.` Each day the mirror replies: `You. O Queen.` One day the mirror says: `Not you. O Queen. Snow White is the fairest.` At which point the Queen has a poison apple delivered to Snow White so that the Queen can be the `most beautiful` again.

 

 

 Onan`s story is usually perceived as God`s injunction against masturbation, which is why masturbators receive the condemnatory appellation `Onanist`, whereas Er and Onan`s story is actually about God`s seeming inability to develop beyond mass production to quality control, that is, oodles of women who are ephemeral can`t substitute for an eternal woman who has eons of experience and wisdom, which is what Er and Onan understand and God doesn`t seem to.

 

 Er and Onan are `wicked` because they want their woman to be immortal and wise, which is patriarchy, that is, the restrictive practices of God and Man towards Woman, and is why Woman is most often associated with Satan worship. Effectively, the `wicked` Queen in Snow White is an `Onanist` because she wants to look beautiful forever in her mirror and keep her experience and wisdom, which is what God actually promises.

 

 Revelation describes the protector of the `hidden` Woman of the Earth, that is, the New Redeemer, who keeps her until she is ready to leave for the stars and sow her own seed. Revelation describes her seed as defeating Satan who, together with his adherents, receive unendurable eternal pain as their punishment for interfering with the woman`s seed ( https://www.futanaria.com ).

 

 Because the woman has seed, she must be understood as having her own penis. Consequently, the story of the `wicked Queen in Snow White is similar to that of the `wicked` Er and Onan in Genesis, whom God slays for wanting their woman to remain young and beautiful. Wanting to remain young and beautiful is the reason why Er and Onan are described as `wicked`. However, in Revelation, the woman`s seed is promised a new heaven and Earth in which to dwell forever, which indicates that God`s perspective changes.

 

 

 Snow White is biblical insofar as the poison apple is again a central motif. The Queen`s wickedness consists of her inability to perceive that Snow White is desirable for the Queen because she`s the `most beautiful`. In other words, she can`t see her own penis in the mirror, the explanation of her beauty and why Snow White is now the most beautiful.  Because the `wicked` Queen is ready for a sexual relationship with her own species. However, she poisons Snow White because she`s programmed with patriarchal logic supported by biblical injunction. Snow White shouldn`t be immortally young and beautiful because God murdered Er and Onan for wanting eternal beauty for Tamar. The `wicked` Queen should be having sex with Snow White, because women have a penis, and even if some of them physically don`t, the fact that some do means the `wicked` Queen and Snow White are a species, whereas men aren`t. They`re parasites using her as `host womb` for their virus.

 

 The `wicked` Queen in Snow White is wicked because she doesn`t have a penis (visibly), and wants to be immortally beautiful and wise, which is what God gives her in Revelation, but before that she`s Satan. In other words, Satan`s a perspective, and when she defeats Satan in heaven it`s allegorical insofar as that defeat represents the Redemption of her male part. However, it`s the triumph over evil insofar as men would enslave her as a `host womb` for their parasitical murdering of her and the Earth.

 

 The Queen is wicked from men`s perspective because women have a penis, which makes her independent and, in terms of the actual meaning of the story, the Queen poisons Snow White because the Queen`s naïve, or `green` because she expresses men`s `penis envy` for them. She`s redeemable on the strength of her ignorance.  She `s been interfered with, on a fictionally propagandist level, by patriarchy, because it`s men`s interpretation of the word of God from Genesis that women shouldn`t be eternally beautiful and wise.

 

 Er and Onan were murdered in Genesis because God didn`t want Tamar to be anything other than `bred`. The Queen attempts to poison Snow White because, for patriarchy,  Snow White is Er and Onan`s Tamar, and in Genesis God  wants breeding slaves. As a representative woman the `wicked` Queen is, therefore, programmed by patriarchy with her own self-murder, implemented when she gives Snow White the poisoned apple.

 

 

 In Eden the `fruit of the tree of the knowledge of good and evil` is given to Eve by the evil serpent, whose `seed`  thereafter is at `eternal enmity` with the `seed` of the woman.  Adam is given some of the fruit by Eve and is defined as a `temptress` afterwards by Bible thumpers who don`t perceive that she represents wisdom.  Only at the closure of the Bible do we see that the wisdom she represents is that of the `hidden` woman with a penis of her own, who doesn`t need boy sons (poisons) because they signify God`s plan for her, which in Genesis is ephemerality and slavery. Later, in Revelation, God`s changed plan is for Woman`s immortality and freedom, which justifies Eve`s thirst for knowledge in Eden, where she gives the apple to Adam because she perceives development to be the key to freedom for Woman as a species with its own penis.

 

 Revelation agrees with Eve, which means that Satan`s refusal to bow before Man is also justified. It`s equivalent to Er and Onan`s rejection of God`s initial perspective that women should be breeding slaves and not immortally young. When women have their own penis and are sowing their `seed` amongst the stars in heaven, Satan`s penis will be free, as it were. It`s a unified symbol system in which Jesus, born of a virgin, and celibate, is the `Son of Man` because he doesn`t want to reproduce. Immortality is the perception that reproduction isn`t necessary, and so those who refuse to reproduce are concerned with having immortal youth. Jesus is murdered because, like Er and Onan, he seeks immortality. Er and Onan are, in fact, more advanced because they seek it for the woman Tamar. But Jesus` mother Mary, who` s a virgin when Jesus is born, symbolizes the woman who can give birth without a man, that is, her penis is implicit in the equation, which means that Mary, like Tamar, represents the perception that Woman should be immortal and free from men as parasites breeding her as their slave.

 

 In Answer To Job the developmental psychologist Carl Gustav Jung (1875-1961) observes that Satan is an unconscious aspect of God`s omniscience, that is, God doesn`t know why God behaves swinishly towards the righteous Job, but Satan does. It`s because God`s a bully who bullies until God becomes contrite, that is, God sees the error of his ways.

 

 Satan is vindicated at the end of the Bible when the `hidden` woman leaves the Earth to sow her seed and eventually defeats the evil serpent`s `seed`, symbolized by the red dragon of Revelation wanting to devour her, to receive a new heaven and Earth as her reward. Satan hadn`t wanted Man, and at the closure of Revelation neither does God, which means that God, Jesus, Mary, and Satan are aspects of God`s developmental functionality coming to fruition.

 

 In Jungian psychology there are four functions of consciousness; Thinking, Sensation, Feeling, and Intuition. Two functions are male and two are female. In biblical terms, God and Jesus would represent Sensation and Thinking, because Eden is associated with seeing, and the Sensation function, according to Jung, is associated with the eyes when undifferentiated or unconscious.

 

 When Eve eats of the apple, and gives some to Adam, they immediately perceive that they`re observed and clothe themselves because they feel ashamed to be seen naked. This is because God represents the Sensation function, which is receiving differentiation. Adam and Eve are now being watched by the evil serpent whereas formerly they were being watched over by God. Their shamed reaction at being seen naked indicates their awareness of someone looking whereas they`d been a mirror for each other. Now the evil serpent will be able to mirror itself through them, and so they are ashamed because they were the mirror of God`s love.

 

 Snow White`s apple is evolutionarily regressive insofar as it represents the commonly held belief that Onan was a masturbator killed by God for `casting his seed upon the ground`, that is, the `wicked` Queen masturbating in the mirror in the understanding that she`s desirable to herself is `normal` because women are a species with their own penis. Symbolically, she no longer finds herself desirable in the mirror, that is, she no longer masturbates, because she`s looking for someone else to sexually arouse her, which is also `normal`.

 

 

 The Queen`s apple is `Edenic` insofar as it represents a woman`s temptation to knowledge, but it`s poisoned because she`s unable to conceive of her desire for herself in the mirror as a normal woman`s sexual desire for the more beautiful Snow White and, instead, contrives a murder plot, which is what God effectively contrives against Tamar when he doesn`t want her to have more than an ephemeral existence as a breeding slave whereas Er and Onan, slain by God for disagreeing, wanted her to be forever beautiful, and by extension wise.

 

 Nevertheless the `wicked` Queen`s masturbatory mirror does represent a woman`s desire to be normal in terms of her knowledge and sexuality. The fact that she`s unable to see her own erection in the mirror indicates that, somehow, her species has  been poisoned by men`s patriarchy, and so the poisoned apple is a metaphor for the Queen`s own self`s poisoning by men. Delivered to Snow White, the apple of poison is, therefore, a metafictional symbol of women`s difficulties in recognizing truth because of the `big lie` that, although they`re masturbatorily desirable for themselves in their mirrors, men say that their desire for other women is abnormal whereas it`s a species desire for its own self`s love.

 

 

 Eve left Eden because she wanted knowledge and wisdom, but also because the evil serpent wanted to watch her. The `wicked` Queen is Eve because she represents the desire to masturbate as an immortally beautiful woman with noone to watch her but herself. This is evolutionarily progressive insofar as female stars of movies, and music videos, watch themselves perform masturbatorily in recorded media. However, that doesn`t imply control over who watches, because the media in which their images are recorded is mass produced. Effectively, it`s the same problem that God had with Tamar, Er and Onan. God wanted mass production, whereas Er and Onan wanted an eternally beautiful Tamar and refused to impregnate her because pregnancy would, at the least, cause her beauty to fade, and might result in her death. God watches Er and Onan to see that they impregnate Tamar, and so God wants her to die. God murders Er and Onan because they want her to live. In economic terms, God wants disposable while Er, Onan and Tamar want permanency. In media star terms, mass produced masturbatory product masturbated over by whoever has the cash to pay implies no control over who it is that masturbates while watching the product, which in biblical terms means that the consumer is God.

 

 The dangers of consumerism are evident in Revelation where the red dragon is described as waiting in vain to devour the New Redeemer who`ll protect the `hidden` woman. In Genesis God envisions the mass production of human beings by means of an enforced breeding programme. Er and Onan refuse becaue they prefer quality to quantity. In simple terms, Er is happy with his wife as she is and doesn`t want to enter into the mass production process. Onan similarly `casts his seed upon the ground` because he doesn`t want her beauty to fade but rather appreciates the value of the woman, not wanting her to be mass produced so that female flesh, ephemeral and plentiful, has lesser value for Man.

 

 Although God`s perspective changes in the Bible so that, in Revelation, consumerism is condemned as evil, the shift from quantity to quality occurs too late for Man. Hollywood`s mass production of media recorded stars echoes God`s early concern with quantity and Mankind as ephemeral. Er and Onan, perceived as masturbators, are killed by God, whereas in fact they`re championing the uniqueness and inestimable value of an individual woman, Tamar. Hollywood`s mass production of media recorded stars coincides with God`s original plan in Genesis, which is to mass produce ephemera. By analogy masturbators are those who watch media recorded stars because they want them to live and be immortally beautiful and wise.  Further analogy would have the fans and the stars murdered because, as God`s murder of Er and Onan in Genesis for wanting Tamar to live indicates, that`s what God would want, at least according to Christian fundamentalist crazies. The current craze for VR would then serve as the basis for `believers` to snuff out stars in recorded media because, irrespective of God`s rejection of the devouring red dragon of Revelation that waits in vain to consume the New Redeemer, Christian infantilism would still hold to the belief that snuffing out people who want to be - and remain - beautiful is what God would have wanted for the wankers.

 

 

 In Revelation Jesus is described as having a sword which comes out of his mouth, and in Jungian psychology the sword is a symbol of the Thinking function, which is associated in undifferentiated or unconscious form with the ears. Consequently, Jesus` association with the sword, the mouth, and the ears relates to speech and words that are expressive of the truth that derives from correct or differentiated Thinking. In simple terms, Jesus speaks the truth in the New testament because God`s Thinking function is differentiated.

 

 Mary is the differentiated Feeling function because she can give birth to the Thinking function (Jesus). In Jungian psychology Feeling is duplex because it relates to eating, drinking, and speaking, which is why the sword, that is, Thinking, emerges from the mouth of Jesus in Revelation, because speaking is differentiated thought arising from Jesus` ability to listen to his heart, represented on Earth by the tutelary spirit or Paraclete after the death, Resurrection, and Ascension of Jesus to heaven after his crucifixion. In simple terms, Mary is speaking her feelings when Jesus` words are heard.

 

 Satan is Intuition, because Satan refused to accept Man on the grounds that he didn`t like Man. In effect Satan is Woman`s Intuition. She didn`t like Man either, and as a species with her own penis she leaves Earth for her heavenly reward in Revelation. The four aspects of God refer to omniscience (God watching over Mankind), omnipresence (Jesus as the `Son of Man`), omnibenevolence (Mary as the Feeling function), and omnipotence, which is Woman as Satan`s penis redeemed, symbolizing God`s almighty majesty and power.

 

 

  The fire breathing red dragon of Revelation is a symbol of that which seeks to consume the New Redeemer and prevent the hidden woman of the Earth from leaving to spread her own seed amongst the stars rather than be snuffed by Anti-Christian nihilists masquerading as believers because the beautiful people should accept that God wants them to be ephemeral. Because the red dragon is described as waiting in vain to devour the New Redeemer we may assume that the evil consumerism of those Anti-Christian nihilists who`d snuff out the stars because they believe stars should accept they`re ephemeral will fail. According to Revelation the evil nihilists will be defeated by the woman and her `seed` and will receive unendurable pain forever as their punishment.

 

- Amen.

 

Jung, C. G., `Answer To Job` in Psychology and Religion, Vol.11, Collected Works, Princeton University Press, 1973.

The Boys & Us Whores

26/05/2012 11:35

The Boys & Us Whores

 

Read correctly the Bible is a contextualized lie. It begins with the poison apple from Snow White. The serpent of Eden seeks to poison the relationship between Adam and Eve, and God. In effect, the serpent wants to be the poison `seed` of the apple, that is, the descendants of Eve, who are the boy sons or `poisons` of her.  At the close of Revelation, which is the final book of the Bible, the boys` sons` penises, or serpents, have grown to the size of the red dragon that seeks to prevent the `hidden` woman of the Earth from escaping to the stars, and sowing her own seed there with her own penis, which she has, as anyone who has access to the internet knows ( https://www.futanaria.com ). In simple terms, the boy sons have been the lie that men are good, whereas the truth is that women, who have their own penis, are a true species of the Earth.

 

 Similarly read all context becomes perceivable as being pervaded by this basic falsehood that women need men`s penis, which is a contextualized lie existing as propaganda for a parasitical life form that has sought to enslave women from the womb of her creation. Because true and false is clearly visible from the Criticism of the New Perspective, the `God determinator` rules art. In other words, men are portrayed in the light of the `big lie`, which is that they`re a part of the species Woman, whereas they`re not. Consequently, the determinating factor for any evaluation of `work` is whether or not it shows signs of containing impulses that are in accordance with the developmental desires of the `God determinator`. Men`s contextualizing of themselves as a part of the species Woman is based on the promulgated lie that men are the sole penis on the planet, which is a propagandistic untruth. The `God determinator` is, then, whatever can be shown to constellate a creative piece of work from knowledge of woman as a species partakes of the `God determinator` and may be used to construe a writer as redeemed in terms of substance rather than content.

 

 

 All writers construct within a false context that`s pre-existently made for them by men who want others to believe that they`re the truth.  In science fiction Robert A. Heinlein (1907-88), the first Grand Master, wrote The Number of The Beast, which described a fictional cosmos that contained all possible stories, and a `black beast` that annoyed his characters when they were trying to enjoy it. The `number of the beast` is `the number of a man`, according to the Bible; or, in simple terms,`a man is a beast` . Heinlein`s novel observed that a reality constructed on the fundamental lie that men were good with women was a fiction that wasn`t truthful and so could have no reality.

 

 The extrapolation would be that fiction is real because true. Or, in other words, fiction is true because it doesn`t devolve from lies. Although the `big liar`, the `father of lies`, which is the `black beast` of Revelation, would have us believe in the `big lie` rather than the God of truth, and so prevent life from living by presenting `God`s heaven` as unrealistically imaginable.

 

 

 Heinlein`s novel was a predicate based on the lie that he wanted to have sex with his wife in his car. The story focused on a space-time continua vehicle that looked like a car but, like the protagonist of Voltaire`s Candide, embroiled in a quest for the `best of all possible worlds` on his journeyings, Heinlein`s four characters, two couples, quarrel interminably and occasionally have sex to feel better.

 

 In the psychology of Carl Gustav Jung (1875-1961) there are four functions of consciousness; Thinking, Feeling, Sensation, and Intuition. Symbologically, these correspond to the occupants of Heinlein`s car. According to Jung differentiation of the functions requires understanding based on the recognition of what ails a person. Usually this is defined as what they can`t comprehend and their eventual comprehension is conceived as coming to terms with a previously held false perspective that Jung calls the introjection of a projection.

 

 Jung describes individuation as a process of personal growth, which in Heinlein`s The Number of The Beast can never occur because it accepts the lie that men are for women, whereas women are a species that desires itself. In other words, men are, in fact, what are defined as demons in the world`s religions, and represent the logical inconsistency of presenting themselves as a part of a species (Woman) while being - and behaving as - enslavers of that species.

 

 Heinlein`s `beast` in his car, and in the infinite cosmiverse of alternative story worlds that it`s able to access, is there because he isn`t a woman with a penis, which is what he needs to be to enjoy his wife, and the demons are the men who want to steal his car and his wife because they`re alien to his way of thinking. In other words, Heinlein`s The Number Of The Beast is sufficiently expressive of the `God determinator` for the artist to be redeemed, whereas the demons can`t be because they want to steal his car and his wife.

 

 

 If the wife could be persuaded to assist the demons to steal Heinlein`s car, then she`d correspond to the sores of Revelation: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10) A wife who helped the demons that are men would be a boy son`s sore; or, in other words, poison`s whore. In fact the Bible says, in what can be construed as God`s 11th Commandment: `Thou shalt not suffer a witch to live.` Here `witch` is construable as `poisoner` and so the sores of Revelation are the whores that would steal your car and give it to the demons that are men to have your wife in and, eventually, she`d be another whore amongst demons while you rued the loss of a car.

 

 

 In Egyptian mythology the `Ka` is the spirit, while the `Ba` is the personality, which is why men go to a bar to drink alcohol, which is often described as the `demon drink`, because they are demons. In England and the USA there are so many bars one cannot escape the conclusion that we are living in a prison, which is why the `hidden` woman of Revelation is depicted as escaping from the Earth and the demons that are men. In symbological terms, they travel to and fro between their car and the bars, which signifies a `Ka` or spirit whose personality or `Ba` is trapped by them.

 

 

 The conjoined `Ka` and `Ba` are the `Akht` according to Egyptian mythology, which is the `magical personality`. Such people have existed, and do exist, in the world; Princess Diana, Audrey Hepburn, Judy Garland, Christina Aguilera, etc. In other words, constituting a good `Akht` defined as `actress`, these women perform amongst the demons that are men but can`t escape. Men`s act is more easily described. They go to and fro between their cars and their bars for the reassuring `demon drink` that tells them that the woman`s spirit (Ka), and the woman`s personality (Ba), won`t be able to get its Akht together and leave.

 

 

 Bizarrely Western civilization is construable as an Egyptian prison for a Cleopatra with a penis that the demons that are men don`t want to escape. In the myth of Osiris, the god Ra incarnates upon the Earth as Osiris, who is dismembered by the evil Seth, and has himself remembered by Isis, the goddess, who gives him a new penis of her own fashioning because she can`t find the original. It`s symbolic of the god that becomes the goddess with a penis.

 

 

 Linguistically, men are evil demons. Britney Spears` Criminal, for example, features the lyric `He`s a sucker with a gun, gun, gun, gun.` Anyone could perceive what`s wrong with that. The sexually taboo word `cunt` has been replaced with `gun` because the taboo means that the star is unable to express her desire for cunnilingus lyrically: `He`s a fucker with a cunt, cunt, cunt, cunt.` It`s the sign of demoniacal programming that she isn`t able to sing this.

 

 

 The musical genre Death Metal is similarly linguistically unintelligent in terms of what`s actually desiring to be expressed. In Egyptian mythology, the `Ka` (spirit) and `Ba` (personality) become one `magical personality` after death. In terms of what is desirous of being expressed, Seth Metal is more understandable as a brand name for such a `heavy metal` genre, because it points to Seth`s dismembering of the god in Egyptian mythology, that is, the death of the old god and the remembering of the god as the goddess with the woman`s penis.

 

www.youtube.com/watch?v=5zfM_Cz-9fc

 

 Heavy Metal videos are full of women oozing sex because men are desirous of using their penises as women, as women are desirous of using their own penises. In other words, the `Ka` (spirit) and `Ba` (personality) seek to be reunited as the `magical personality` or `Akht` and the woman in the rock video is the best vision that the musicians can present as truth.

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