Women Of The Earth Turn The Human Species Into A Drooling Infant And Show It Dirty Pictures To Disguise Their Killing Of It
Women Of The Earth Turn The Human Species Into A Drooling Infant And Show It Dirty Pictures To Disguise Their Killing Of It
In the Bible a woman is described as `Mystery, Babylon the Great, mother of harlots and of the abominations of the Earth` (Rev: 17. 5), which seems a little harsh unless it`s understandable that the woman has accepted enslavement of her host womb by homosexual pederasty for the purpose of devouring its products. God warns Eve of the `perpetual enmity` of the `serpent`s seed` for her `seed` at the beginning of the Bible when God tells her she `shall crush the head of the serpent as she leaves` Earth for the `new heaven and Earth` promised her in the prophetic Revelation at the end of the Bible.
Jesus` birth from the Virgin Mary uncontaminated by male semen prefigures the future of the human species because `woman`s seed` is identifiable as the `futanarian` women who have their own penis` seed or semen and can self-reproduce with their own independent socio-economic valence that will assist them to leave Earth for the planets and stars to escape from the parasites that have lodged themselves in her host womb.
Many have argued that the Masons are an evil secret organization, and the idea that their lodges are places where they plan the devourment of what emerges from the host womb of women, as the parasite that she lodges within her host womb before it emerges to destroy the civilizations, cultures and art that she is able to produce despite their depredations, is prima facie evidence for the argument that the Masons` lodges are a celebration of their role as the human species` devouring parasites.
The mystery of Babylon is the baby born from the woman who accepts enslavement and devouring for it because it`s a boy son, that is, a poison, which spreads homosexual pederasty and its contagiousness through war. Ancient Greece enslaved the host wombs of women in homosexual pederasty to spread the virus, and the mystery of Babylon are the women who have assisted their male parasite to kill the human species of independent `futanarian` woman with her own penis because they`re too lazy to develop themselves and prefer to keep their children in infantilism by showing them `dirty pictures` and telling those who are interested that they`re evil.
If men are women`s parasites the `picture` is a `dirty` one that requires cleaning, but depictions of `futanarian` women with a penis of their own as an integral part of a societal framework that acknowledges her special role are so rare as to keep the humans in infantile perplexity reasoning over pornography`s `dirty pictures`. Properly defined the human picture is dirty because it has women`s parasites on it. The evil `serpent`s seed` want the humans to understand that they`re dirty but not because the serpent`s seed` are the dirty, evil parasites in the picture, and that`s what child abusers are for. To explain to the infant that it`s dirty and evil and that they`re very offended until the child accepts their picture of what the human is.
Any woman who wants the infant human species to understand that it`s evil and dirty because it eats, drinks, and has a body, is assisting the parasites and is Babylon, `mother of harlots and of the abominations of the Earth`. From an artistic perspective, the forgers have constructed a fake picture, which they want the humans to accept. Pornography should be a depiction of a celebrated human activity, which is presented as dirty and evil because humanity`s enslaving and devouring parasite of homosexual pederasty and war wants to keep the human species as a drooling infant so that it can continue killing it.
Although Babylon was the ancient seat of Persia located in Iraq, and so Saddam Hussein was her infant, and the terrorist hijack on 9/11 2001 that resulted in planes being crashed into New York`s Twin Towers `live on CNN` was Babylon, Hollywood. Most people viewing the television event thought it was a Hollywood movie if they`d not tuned in early enough to witness the news. In Hollywood men don`t have a penis on the big screen, because the audience has been taught to prefer the gun, and through computer games associate the penis with the joystick for `shoot-em up` screen consoles that encourage the players` delusion that other people`s lives are as valueless as theirs.
9/11 was the perception by hackers into the US defense system that the World Trade Centre was PC Towers, who was PG and so preventing the `rough trade` game of pederasty and war from continuing. The picture tells the viewer that Babylon doesn`t have a penis of her own, and that she doesn`t know because she`s an infant. The picture is dirty and evil because her parasite is protecting its host womb for its further emergings and depredations against the civilization, culture and art that women have so far been able to produce in spite of their enslaver and devourer, and that`s what the `dirty pictures` of Babylon, Hollywood, are.
Movies like King Kong (1933, 2005) in the big ape`s climb up the Empire State building to beat off the US air force with his fists, or Steve McQueen in Towering Inferno (1974) as the heroic firefighter reminiscent of the New Yorkers` statue of the 9/11 fireman were the preprogram for the terrorist attack, which was primarily based on Logan`s Run (1976), the movie in which everyone is killed by `sandmen` after they reach the age of 21, because Logan was the US airport chosen for the hijackings to launch the terrorist attack on the World Trade Centre to kill the 21st century for the human species and reimplement `rough trade` in the Greek gods` games of pederasty and war.
Because women are an independent species with their own `futanarian` penis what she`s being shown on the big and small screens of Hollywood, Babylon, is her own death while the illusion is fostered that men are her saviours. In movies like The Day After Tomorrow (Emmy Rossum, 2004), Independence Day (Mae Whitman, 1996) and The Day The Earth Stood Still (Patricia Neal, 1951, and Jennifer Connelly, 2008) the planet is devastated but the young women at the centre of the action are safe, which is the fostering of the delusion. Because all of the other women are dead and dying in the destruction.
The cost is paid for by Hollywood, Babylon, of course, which is what happens in wars, but the money could have been spent on medicine to maintain women`s youthfulness and increase their longevity, which would improve her chances of learning about herself as a species and escape. The Earth`s parasites projected as aliens in movies like War Of The Worlds (Dakota Fanning, 1996) and Mars Attacks (Sarah Jessica Parker, 2005) don`t want her to develop the technology of space travel, because then the human species would escape from her enslavers and devourers, so they fake protecting her from aliens while being her host wombs` invaders.
At the `Last Supper` Jesus` offer of the `bread and wine`, as tokens of his `body and blood`, to the disciples who have arranged his crucifixion and death, is as a good host asking for a womb to emerge from into heaven where he won`t be devoured by the parasites. Jesus` subsequent Resurrection and Ascension to heaven was followed in 1950 by Catholicism`s acceptance of the Assumption of the Virgin Mary as doctrine, which assumes that Jesus` birth uncontaminated by male semen will be the rule in heaven.
According to the Bible the `serpent`s seed` receives perdition, that is, eternal unendurable pain, from God as their punishment for parasitism and refusing to repent and accept Jesus` teachings of Redemption by accepting the host, which is the holiness of the womb of woman from which everything human emerges. In Catholicism the host is the `wafer and wine of the communion cup` as tokens of Jesus` `body and blood`, because Catholicism wants humans to emerge from the womb like Jesus and his mother and not as devouring parasites.
Human behaviour is the desire to live, not the desire to kill, which is how humans are recognized. How to protect the human from predators is the basic problem of human civilization, culture and art, but if men are recognized as the human species` parasite there`s a basis for constructing a defense against it. After the USA`s NASA space program put a man on the moon, in 1982 US President Ronald `ray gun` Reagan began the implementation of the `Strategic Defense Initiative` as a ring of ground and space missiles around the Earth. Ostensibly to defend against ICBMs, SDI was the last stage in the building of the human species` `death camp` where it could be worked by the alien parasites emerging from the women`s host wombs to devour the humans despite her efforts to give birth to that permanent civilization, culture and art the Bible describes as `heaven on Earth`.
The 1950s obsession with alien invasion movies such as The Thing From Another World (1951) and It Came From Outer Space (1953) arose because men wanted the humans to perceive that the devouring parasites upon the human species came from outside, whereas in fact they were the enemy within. Conventional war is conventional marriage in which the parasite refuses to disarm so that the human species can spend the money on defending itself from their enslaver and devourer. Because woman is the human species` socio-economic valence of future independence from her parasite, she needs robot technology in her own image to protect her.
In Judaism Christ Jesus is the Meshiah because the Meshiahn Age of the machine is what he heralds as God`s `Logos` or developing technology, through what developmental psychologist Carl Gustav Jung (1875-1961) describes as the transformation of sexual or libidic instinct into spiritual and intellectual achievement. Women are humans and would much rather have robots to care for them rather than parasites to breed them for eating. If all of society were maintained by robots in the Meshiahn Age the only predators would be the parasites, who are discernible as those men who want to emerge from their former enslaved host womb to continue as her devourers and those women who aquiesce to that. Movies like Terminator (Linda Hamilton, 1984) depict machines as the enemy because they`d be the liberators of the human species of woman. The NASA moon program produced better washing machines for women, but ICBMs to keep her busy with the `dirty laundry` her parasite wanted her to deal with:
` ... personal or private matters that could cause embarrassment if made public ... `1
Jesus` teachings of Redemption represent the woman`s attempt to deal with her parasite`s `dirty laundry`, because machine technology should be for her protection and not her devastation. Without acceptance of her host womb as being for the production of human progress and technological advancement designed to protect her from men`s predatory parasitism, they`ll experience hell:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
By the late 20th century men had inaugurated the Age of the Virus through mixing blood, shit and semen in their anuses during sex together to create a `biological weapon` to keep women in fear and faithfulness to their parasite`s institution of monogamy rather than discover herself as the human species of woman`s independence through her own `futanarian` penis` valence as the socio-economic future of developing humanity.
9/11 2001 was the spreading of the homosexual virus of pederasty`s valence, that is, the biblical `blood plague` of Revelation, as Al Qaeda terrorists hijacked planes to crash them into the World Trade Centre and reimplement the `rough trade` of war and its contagiousness. The computerized US defense system had been crashed and the paradigm of men`s virality had been reestablished for the 21st century. The dawning of the new era runs parallel with the emergence of the computer `geek` who, taking his name from the `circus freak` who ate the heads of chickens, went on to design viruses to devour computers for the public`s entertainment, that is, 9/11 `live on CNN`, where 5000 people at New York`s World Trade Centre had been at least encouraged to run around like headless chickens by the `geeks`.
`Circus` is a euphemism for `spying`, so 9/11 2001 was carried out by `geek` devourers deriving their impulse, consciously or unconsciously, from the Greek institution of devouring pederasty and war`s contagions, because gaining entrance to systems in order to carry out missions is what spies do. In WWII British commandos were shot on capture as spies, because of their knowledge of Germany`s secrets. At Peenemunde, Germany`s rocket centre, for example, where devouring V2s were built by `geeks` and launched against London and other parts of England. 9/11 2001 wasn`t `rocket science` but it was typical `circus` insofar as it achieved parasitism`s objective of spreading its devourers` contagion of war cheaply, which is what Roman amphitheatres or `circuses` were built for. Watching people kill each other was the mass public entertainment advertising medium for pederasty and war before television and Hollywood, Babylon. 9/11 2001`s devastating of the World Trade Centre `live on CNN` was `circus` because it spread the contagion of `rough trade`, that is, pederasty and war, which is the `dirty picture` the pornographers want everyone to see.