The Puppet Jesus

19/09/2016 11:55

The Puppet Jesus


The symbol of the Roman Empire was the fasces, a bundle of wood with an axe in the center. Although sometimes described as `the rods and the axe` that definition compliments the basic meaning of the emblem, which is that of the blind constructed from wood chopped with an axe so that the planner could work undisturbedly on designing the building for an encampment during the period of Rome`s expansion outward across Europe and the Earth. Although the fasces has been interpreted as meaning `bundle`, that is, a bundle of rods symbolizing strength in unity, the emblem represents the separateness of the people from the administration, for example, in dictatorship the fasces symbolizes independence from government. The fasces served as a fence, a windbreak, a mattress, or a hammock, and a blind behind which Rome`s planners designed encampments during expansion outward from Rome, that is, the fasces was a symbol independent of gubernatorial authority, which the people comprised of individuals mightn`t accept. In other words, the fasces was a symbol of the authority conferred upon the administration by the people because it was unchangingly simple insofar as it was serviceable and if the Roman senators didn`t serve they weren`t representative of the fasces power which was the people as individuals who conferred authority even upon dictators, who could be removed by common consensus.

 In optometry the rods are the receptor cells of the eyes that are more sensitive to light, and the cones are the receptor cells that are less sensitive, which means that the loss of rods means blindness, although it`s commonly observed that rods are most useful for night vision, and peripheral vision, because they`re receptors that function with minimal light. In simple terms, cone cells represent a directable perception, which means that for an individual to be directed by a coercer, for example, it`s desirable for the rods to stop functioning. Consequently, the fasces bundle of rods with an axe in the center represents the power of the people to judge, whereas the fasces, as adopted by the Italian dictator, elected to power in Rome in 1922, Benito Mussolini, became the emblem of fascism, which was the political movement that the German National Socialist (Nazi) Party used after the election of 1933 to confer dictatorial authority on its leader, Adolf Hitler, who built `concentration camps` for the Jews he labeled `spies` and interned there during World War Two (1939-45), which was waged by the fascist powers of Japan, Italy and Germany, to enslave the nations. Because the people were blind to what was going on the fasces was an apt emblem of Nazism, although the fasces itself remained a neutral symbol of serviceable functionality for the individual, that is, as a fence, mattress, windbreak, hammock, or blind, etc. Because the Jewish `chosen people` of the Bible, which is the Old Testament of their history and law, that is, the Talmud and Torah, were poisoned with gas before being stacked like logs and incinerated in the `death camps` built by the Nazis at Dachau, Belsen, and Auschwitz, etc., they were effectively beheaded and blinded, which is the meaning of the `rods and the axe` emblem of the fasces for fascism, although not provably the meaning for ancient Roman citizens.

 During the Roman occupation of Jewish Palestine, the figure of Jesus Christ was the `dissident` perceived as inciting the populace against Rome`s Imperialism with his teaching: `Love your neighbor as you love yourself.` (Mk: 12. 31) Born of his mother, the Virgin Mary, Jesus` uniqueness was that he was uncontaminated by male semen and outside of the male braining system. In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because futanarian women have semen of their own for the sexual reproduction of their species own brains` powers, that is, the race of women`s. In the paradise of heaven on Earth that was Eden the first woman, Eve, created by God, was tempted by the serpent, Satan, who`d been the angel transformed by God into a serpent for rejecting God`s plan that the human host should be greater than the angelic. Satan gave Eve the `fruit of the tree of the knowledge of good and evil`, which it was death to taste, saying to Eve and the first man, Adam: `You shall be as gods.` (Gen: 3. 5) Eve and Adam exchanged the `fruit of the tree of life`, which was immortality, for the enslavement of the generations of futurity in memoryless ephemerality. God, however, told Eve her `seed` would be redeemed: `You shall crush the head of the serpent with your foot, but he will bruise your heel.` (Gen: 3. 15) The human futanarian brainpower of women will escape to colonize the planets amongst the stars of heaven above through technologies of their own devising. Because Jesus` birth from his mother, the Virgin Mary, was futanarian, that is, uncontaminated by male semen, he was taken to the hill of Calvary and nailed to a cross of wood where he died, but he experienced Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. As the emblem of the authority of Rome was the fasces, Nazi fascism was extended to the Jews after the death of the first Jew, Jesus, born uncontaminated by male semen, in accordance with the Jewish futanarian tradition that a Jew can only be born from a Jewish woman, that is, Jews are `woman`s seed`, which is why the `chosen people` of the Bible were exterminated in Roman fascism.



 The concept of the `puppet ruler` is familiar from history, for example, Fulgencio Batista of Cuba governed after a coup through `puppet` administrations from 1933 before capitulating to rebel forces on New Year`s Day, 1959, when Fidel Castro became Cuban head of state. According to the Bible Jesus would come a second time to the Earth, and `will rule the nations with an iron rod`, which to the fascists suggests that Jesus would be a `rod` strong enough to rule alone without the support of other rods, whereas the fasces emblem is of a bundle of rods supportive of each other signifying collective authority. Consequently, Jesus was killed by the Romans as a ruler threatening to the Empire of the male brain, which resulted in the Nazis exterminating the Jewish futanarian `chosen people` of `woman`s seed` as a collective `bundle` of rods, that is, a rival fasces threatening Roman rule, while Jesus was a ruler destined to rule without a puppeteer, so he was killed in order to make of him a `puppet`. With nails in his hands and feet, he had holes for the strings which could be passed through and attached to the cross of wood to be held in the hand of the `giant`, that is, the Emperor of Rome, who`d hold the cross of wood above Jesus, with his strings attached to its extensions, and make of him a `puppet ruler`.

 The absence of `woman`s seed` from the church`s teaching after Jesus suggests that the Romans` `puppetry` succeeded. Jesus` rule would be obviated if he was killed and so, dead, he was brainless, but with strings he`d be a `puppet ruler` for the Romans, which is why he had a label attached to the cross above his head reading `king of the Jews`. God was expected to rule through the `puppet`, Jesus, as caesar ruled through his gubernatorial agents throughout the male brained Empire of Rome`s conquests, which is why the Romans in Jewish occupied Palestine put holes in his hands and feet for the strings to be attached to the wooden cross of the puppeteer, who would then raise up Christ in Resurrection, before his Ascension to heaven above. Despite Jesus` subsequent Resurrection and Ascension, in prefiguration of that of `woman`s seed`, the Romans had conceived his crucifixion as a joke. If he ruled for God, he was a `puppet ruler`, which was what they knew about. Consequently, the holes made in Jesus` hands and feet, by nails attaching him to the cross of wood, were awaiting the attachment of the strings, so that God`s `puppet ruler` could be `resurrected` after death, because that was what the Romans expected from crucifixion. In other words, giant hands holding the cross of wood above the crucified and manipulating the strings attached to animate the dead corpse was what the Romans expected, based on their understanding of gods.



 In the United States of America the fasces appears on the seal of the tax court, and the emblem appears flanking the speaker in the House of Representatives on Capitol Hill, Washington, D.C., and at the exit and entrance to the Oval Office of the President of the United States in the official residence, the Whitehouse, although the axe is removed in accordance with the Roman tradition that it`s an intimidating symbol of execution, and so that aspect needn`t be visible outside of the judiciary. Within the framework of taxation, the axe represents the perception that the intelligent are humanity`s escape from slavery to the parasite, Satan, that is, men`s host womb enslavement of women`s host womb for homosexuality in pederasty and conquest through war, which was institutionalized in ancient Greece; the `model of democracy`. The axe is for the undemocratic racist beheading of the human futanarian race of `woman`s seed` to prevent her from developing the intelligence to run and escape from the headsmen in Satanism who count her brains in `enmity`, as God warned Eve the `serpent`s seed` would do: `The dragon was wroth with the woman and went to make war on the remnant of her seed.` (Gen: 3. 15) HIV/AIDS was the `incurable killer disease` of the late 20th century deployed by men as their `biological weapon` against `woman`s seed` keeping her in fearful faithfulness to their ring slavery: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) The human immuno-deficiency virus (HIV} spread by men`s mixing of blood, shit and semen in each others` anuses in rejection of women, resulted in the acquired immuno-deficiency sysndrome, which was the systemic collapse of the organs of the body through infection and ultimately brain death, that is, the objective for the fascist beheaders of the human species of futanarian `woman`s seed` that sought escape from slavery through intelligent development of labor saving devices, and immortality conferring medical science affording the permanent operational maintenance of civilization, culture and art within societal structures as a defense against the evil.

 In parasitology, the term `parasitoid` is given to the parasite that emerges from the host to kill it, which is what men do unless redeemed from their evil sinful nature by acceptance of Jesus` teaching through metanoia, that is, brain transformation. Jesus` birth from his mother, the Virgin Mary, was an illustration of Resurrection through rebirth from the human host womb for futanarian `woman`s seed`, which isn`t men`s, followed by Ascension to heaven above, that is, escape to the planets amongst the stars through liberated women`s brainpower. Without brains of their own, the human race of futanarian `woman`s seed` is voiceless, which is why Jesus is depicted in the Bible as having a commanding voice during God`s judgement upon the evil and punishment of eternal unendurable pain, that is, perdition, before a new heaven and Earth is given to humanity: `From his mouth came a sharp sword to strike down the nations. He will rule them with an iron rod. He will release the fierce wrath of God, the almighty, like juice flowing from a winepress.` (Rev: 19. 15) God`s anger is explainable as resulting from the species` beheading so that the puppeteers can make it speak with their voice as ventriloquists do with their dummies: `Then I saw three impure spirits that looked like frogs; they came out of the mouth of the dragon, out of the mouth of the beast and out of the mouth of the false prophet.` (Rev: 16. 13) Frogs croak unintelligently, because the evil don`t want human intelligence to escape from their slavery of the host womb of the species for war against itself, which is the parasitoid`s entertainment. As the race`s killer, the frog is a symbol of the puppeteer and the ventriloquist that speak for the individual and the collective after the species is beheaded; by the simple expedient of preventing her from sexually reproducing her own brains` powers. Amongst the underworld, `croak` is a euphemism for murder, and death. Jesus` disciple, John, in Revelation describes the `croaking` of the species, that is, the rule of the puppeteer and ventriloquist through the brainless and voiceless: `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) The Romans built huge amphitheaters for their parasitoids to watch humans kill each other. Their creation of a single male brained creature wearing each others` clothes in `TV` transvestism was a forerunner of the home entertainment system of John Logie Baird`s `TV` television invention in 1926: `Let he that has wisdom understand. The number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 18) `666` is 66.6% men and women and 33.3% human futanarian `woman`s seed` if the human species is conceived in terms of equality. However, if women can reproduce and men can`t, women`s capacity to sexually out produce men is denied the voting majority that is their due. The beast of Revelation that gives life to the other represents men and women as a viral life form transmitting as a `TV`. As `beasts` they give life to the `TV` image, which presents war against humanity for the entertainment of the alien parasitoid that, somehow, millennia ago inveigled itself into the host womb of the human race to steal her penis and replicate itself as her species` devourer.

 The narrative of Eve, the first woman, and Adam, the first man, depicts the relationship between saurian evolution, which arose during the Mesozoic period of prehistoric Earth history 248 m.a. before the appearance of hominids in the Jurassic period 220 m.a. According to the Bible God`s angels remaining in heaven are winged, whereas the rebel angels who fell with Satan, the serpent, who became a dragon of war against `woman`s seed`, are recognizably reptiloid. In other words, the angels of heaven are intelligent winged reptiloids that didn`t fall to the point at which they sought to enslave the human host womb for parasitoid devouring. Scientists posit that a space borne virus could have interfered with the development of life on Earth,1 which would explain how it was that saurians fell, and how it was that the human spirit began to turn away from women and ultimately produce the virus, HIV/AIDS, which the Bible prophesies as a `blood plague` (Rev: 11. 6) sent by God to convert men from their evil sinful parasitoid nature. Jesus` role was as a shepherd of a flock, which contrasts with the `death camp` guards of Nazism, and is illustrated by the Romans` arrest and crucifixion of Jesus as a `dissident` advocate of `woman`s seed` against male braining. Essentially Jesus` role as a pastor is that of someone who is prepared to accept the sexual reproduction of the human futanarian species of `woman`s seed`, whereas unredeemed men want to behead her and keep her as a brainless host womb for its parasitoid devouring to prevent her race from running.



 In the Hollywood district of the city of Los Angeles, on the USA`s west coast of California, the movie capital of the Earth, the first `silent` film was made there in 1910 by director, D. W. Griffith, Old California. Although silent films were superseded by `talkies` in 1927, with the release of Al Jolsen`s The Jazz Singer, the President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, establishment of the `Hays code` of 1933 effectively forbade human futanarian sexual reproduction of the brains` powers of `woman`s seed` in order to maintain a `puppet theater`: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`2 In other words, futanarian humanity wouldn`t rise from the floor of the bedroom, because the edutainment system wouldn`t promote its brains` production. The fasces flank the speaker in the House of Representatives, which passes federal legislation ratifiable by the Senate, and the President, because California has 53 of the 435 representatives, while seven states, that is, Alaska, Delaware, Montana, North Dakota, South Dakota, Vermont, and Wyoming, have only a single vote each, that is, Hollywood`s power to make movies is based on fascist power. The institutionalized beheading of the human race to promote `puppet rule`, and ventriloquizing of the masses through propaganda promulgated by the parasitoid entertainment media`s promotion of devouring war as a god to be worshipped by men against humans, rather than the making of films featuring relationships that center upon the futanarian sexual reproduction of the brains` powers of `woman`s seed`, is what Hollywood is for. Without edutainment expressing human sexual relationships `woman`s seed` will remain host womb enslaved in parasitism to her parasitoid devourers who embrace the evil spirit of the virus.

 In ancient Greece the huge hollow wooden horse before the gates of Troy was the symbol of how men`s virus entered the cities of `woman`s seed`. The symbol of the city of Troy, as depicted in the Greek poet Homer`s Iliad (760-10 B.C.), was the horse of the goddess, Pallas Athene, but the Trojans took the hollow wooden horse into the city in rejection of the symbol of the tirelessness of the female that bore them, and the Greeks emerged from within the hollow insides of the horse to capture the city and enslave the host wombs of the women for homosexuality in pederasty and the spread of its wars against women further. By the late 20th century the successors to the ancient Greeks were the `geeks` who programed the machine brains of computers that helped brainless humanity with `bad machine code` virus called `Trojan horses` to infect and kill them. Unable to transmit pictures of anything but men`s parasitism upon the human futanarian species of women, the film industry of the Earth, centered upon Hollywood, became known as `Babylon`, `a woman`, according to the Bible, whose name appears as that of the city, Babylon (c. 4000 B.C.), which was the capital city of the Persian Empire, where host womb slavery in parasitism for war against `woman`s seed` was also practiced: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) In movies men are the virus upon the screen that has replaced humanity.



 In Jonathan Swift`s satire upon human nature, Gulliver`s Travels (1726), the traveler, Lemuel Gulliver, encounters the people of the country of Lilliput, who`re tiny in comparison, and tie Gulliver down with strings; ostensibly for fear that he`ll break something. The Lilliputians are the epitome of fascism, which wants to prevent humans from being free to use their brainpower to escape from slavery. Consequently, the bound Gulliver is a type of Jesus, with holes in his hands and feet to hang from the wooden cross by strings and be manipulated by whatever god wants to coerce his movements as a `puppet ruler`. Gulliver is made to work as a slave by the Lilliputians, because that`s what fascists want; slave labor. He isn`t wanted for his brains` powers and his capacity to sexually reproduce with the tiny women is as delimited as in his encounter with the giants of the country of Brobdignagia; because fascism doesn`t want brains: it wants slaves. Swift`s novel is a critique of fascism, which was recognized by him as a tendency within all social frameworks to restrain individual intelligence to prevent the human from escaping slavery. As the people of the country of Brobdignagia are giants to Gulliver, so he`s a giant to the people of Lilliput, which is why the Romans put holes in the hands and feet of Jesus, with the nails they attached him to the wooden cross of the puppeteer awaiting strings for the manipulative gods they worshipped. Their perception was that Jesus was suffering from what the Greeks called hubris, that is, he thought he was the son of a god, whereas the Romans were taught to think of their Emperors as gods. Jesus` belief in God was the belief that he was stronger than the Roman Empire, so the Romans prepared him for the gods` puppetry. Fascism is the perception that the intelligent aren`t humble before the unintelligent, and so the intelligent are humbled by the ignorant, for example, Cambodia`s Pol Pot killed 25% of the population of the country between 1976 and 1979 when he was President, because he feared that a more intelligent ruler might be more acceptable. With the intelligent of the nation dead, Pol Pot was accepted by the ignorant, and if they hadn`t accepted him, he`d have killed more of the remaining 5 million. In short, fascism explains that it`s societal. Intelligent people are a threat to the social fabric of society, and so must be killed in order for the ignorant to feel more comfortably stupid, which is the prevailing ethos of the Age of Man. Gulliver and Jesus` experience reveals that fascists don`t want the human to escape from its slavery in fiction or death. Where the strings can`t be seen, because they`re clearly attached, an intelligent person can see that they`re the victims of the horror genre.


1 Wickramasinghe, Chandra, `Bacterial Morphologies Supporting Cometary Panspermia: A Reappraisal`, International Journal of Astrobiology, 10 (1), pp. 25-30, 2011.

2,php/Main/FootPopping/ .