The Pig`s Bladder of Morris` Men and their Fools

10/12/2013 15:41

The Pig`s Bladder of Morris` Men and their Fools


Morris dancing is a traditional feature of English culture, which features the fool who is empowered to dance freestyle amongst the other men who`re engaged in ritualized steps. The Morris Men`s dance originated with the Moors in Spain and the `Moorish dance` was reportedly seen at the court of Henry VII at Christmas 1494. The main feature of the `Morris dance` is the fool`s belabouring the heads of onlookers with what is traditionally an inflated pig`s bladder tied to a stick, and that looks like a child`s balloon. The figure of the fool is archetypal. In Christian iconography the `ape of God`1 who apes what it can of the Almighty is depicted as the type of the fool, but the ape of God is Satan because apeing is perceived as being evil. True because apeing isn`t innovative or inventive, that is, the ape of God isn`t the creator, which means that it`s dangerous to prefer imitation and imitators to the real thing. Knowledge is wisdom and those who pretend to knowledge and don`t have it can`t operate the machinery.



 In the developmental psychology of Carl Gustav Jung (1875-1961) the fool is an archetypal figure, because its role is to explain to the others that they`re fooling and being fooled while the fool only appears to be such. According to Jung figures like the fool represent developmental aspects of the human psyche, which emerge in the course of development to inspire growth, either as cultural figures or through the imaginative products of art. Emerging through dreams  Jung describes such figures and symbols as the medium of the `collective archetypes of the unconscious`, which is the spiritual engine of the human mind. Jung defines the `Self` as the archetype of God attempting to become conscious and communicate with the human race through imagination and dreams. Morris dancing describes how  Satanism has made an empty brainless balloon out of God`s species of woman, which is why the fool taps everyone in reach on the head with the pig`s bladder.



 On 21st June in the English town of St. Albans the Midsummer Day dance begins at Sumpter`s Yard because a `sumpter` is a mule trainer and mules are bred for sterility, which makes it easier to train them for the work that they`re required for. Because Morris dancing takes place in market towns it`s about animal breeding, and the `ape of God`, that is, the fool, is there to remind the animals that they`re not human no matter how cleverly they imitate what intelligent people do.  The aim of those who ape the creator is to breed the intelligent as mules, which are bred for sterility, because they`re for physical work. The intelligent are for brain work, but inventiveness doesn`t require breeding and so the `ape of God` breeds intelligent humans as mules. The mule trainer or `sumpter` makes intelligent humans work as mules, because they`re creative and productive, like God, that is, `woman`s seed`, because creativity and productivity is what humans are for from the apes` point of view. God is the consummate breeder because the creator isn`t for the enslaving of humans as mules, whereas from the apes` perspective the humans are their mules.



 In Elizabethan playwright William Shakespeare`s A MIdsummer Night`s Dream (1590-6) the figure of Bottom is transformed by Robin Goodfellow at the behest of the king of the fairies, Oberon, and he is there when the queen, Titania, awakes from a sleep induced by Robin`s magic potion administered for the king so that she will be in love with the first person she sees upon awakening. Robin has transformed Bottom into a man with an ass`s head, which accords with the meaning of the Morris dance, that is, humans can be bred as mules who work as intelligent slaves. The name Robin was transcribed as `Hobin` occasionally and meant `horse`, which means Robin is just another type of Bottom because he`s a mule too in the service of the king of the fairies, Oberon. Titania`s making love with Bottom typifies the human predicament, which is that sexual reproduction between men and women makes asses of humans for the benefit of their enslavers.



 In the Bible God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed`, which suggests she has `seed` of her own, that is, penis` semen, and she does as `futanarian` woman with her own penis and `seed`. Woman is God`s `seed` and Jesus` birth uncontaminated by male semen, that is, the `serpent`s seed`, represents the antithetical position to that of the `ape of God` who is breeding itself in imitation of `woman`s seed` who are the humans. The Morris dancers` fool with the balloon on the stick represents the brain damage given to the human species by its breeders. Because women as the human `futanarian` race have been made almost extinct by men`s depredations upon the host womb of her species, Morris dancing represents the acknowledgement and awareness that they`re fools and the onlookers are fooled by the perception that they`re intelligent. God tells Eve in the Bible her `seed` will:


`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)



 The `futanarian` species of woman with her own human penis` semen for sexually reproducing her own brains` powers to liberate her through technological advances that can take her to the planets and stars of God` s heaven isn`t expected to be an `ape of God` from the perspective of the Almighty, that is, God wants her to develop her own brainpower so God can lift her foot from the Earth and she can be free of the `serpent`s seed` of men that, in Morris dancing, acknowledges its foolishness, but in such a secret way that noone is enlightened and so it remains an anachronistically entertaining  reinforcement of the perpetuation of the enslavement of humanity as animals.



 The pig`s bladder is what contains the urine of the animal rather than the semen, which indicates that the Morris men are laboring the point, that is, animal breeders aren`t human, because the `serpent`s seed` is men`s and women aren`t their species. The woman who is bred in brain damage because she doesn`t sexually reproduce her own brains` powers, although she could as `futanarian` woman with her own penis` `seed`, is the brainless balloon of the Morris men and their `fool` is probably chosen as the most naïve amongst them so that the point can be labored through his naivete. The clever fool of course may belabor the Morris men with their own point, which is that the balloon on a stick is their own empty bladder. The woman they`re breeding with isn`t theirs but God`s, and so they`re impregnating her to no effect other than to increase the amount of brain damage already extant within the human gene pool.  The large consumption of beer during Morris dancing events reinforces the picture of the fruitless nature of the breeding exercise from God`s point of view, that is, God`s `seed` is woman`s `futanarian` human species , so the breeding of the `serpent`s seed` of men with her is a precursor to emptying the pig`s bladder of urine – and that`s all:


`The woman was dressed in purple and scarlet, and was glittering with gold, precious stones and pearls. She held a golden cup in her hand, filled with abominable things and the filth of her adulteries. The name written on her forehead was a mystery: Babylon the great the mother of prostitutes and of the abominations of the earth.` (Rev: 17. 5)



 Brain damaged women are the slave host wombs of the `serpent`s seed` of men, which maintains them for its war against the human race. In Morris dancing the fool represents the `ape of God` because the enslaver is breeding for brainlessness, symbolized by the pig`s bladder which the onlookers are belaboured with. War is a balloon on a stick, that is, the brainless balloons shoot at each other with their sticks and the balloons burst. Because the women are God`s `seed`, as the `futanarian` human species of God`s `seed` with her own penis` semen, she`s the `seed` God has `chosen` not to be a balloon on a stick, that is, she`s expected to raise her foot from the Earth by means of her own brains` power and leave Satanism behind her.



 The original Morris dance was Moorish and has associations with slavery because the figure of the free fool is indicative of the role of intelligence within the breeding program, that is, if the individual isn`t freed by the dance of life slavery has triumphed and the human species of woman with her own penis` `seed` remains trapped in brain damaged impotence caused by her enforced monogamous relations with the `serpent`s seed` of men.  Having much in common with `weapon dances`, such as the Moresca of Spain, which recalls the struggle between Moslems and Christians from the 12th to the 15th centuries, the `Morris` or `Moorish` dance can be viewed as the necessity imposed upon the slave to discover means for escape, which in the United States led to the practice of such `religions` as `voodoo` and other forms of shamanism amongst slaves brought against their will from the West Indies and the Caribbean, before Christian Gospel music became a more conservative method of asserting their human rights to those who`d enslaved them and which eventually resulted in their being freed from illegal ownership immediately after the American Civil War to abolish slavery (1861-5).



 A small statue of a black Morris dancer amongst sixteen white dancers, sculpted in 1480 by German sculptor, Erasmus Grasser, gives a clue as to the role of the black fool as he who is free amongst men but can`t leave because he`s as foolish as they who haven`t allowed women to breed and be free of the `serpent`s seed` of men`s parasitism upon her host womb. The concept of breeding as being a hobby and not a serious activity is emboldened by the figure of the `hobby horse` in the dance. At Coombe Martin in Devon, England, someone is designated `the Earl of Rhone` and the fool and the hobby horse, who is a man in the guise of a horse, `capture` the Earl who is placed upon the back of a mule and shot at before being revived by the fool and the hobby horse, who place the Earl again upon the back of a mule, before the Earl is killed and thrown into the sea. The fool is in the role of Jesus, because Christ believes in Salvation, and the Resurrection of `woman`s seed`, that is, `futanarian` woman with her own penis` `seed`, for sexually reproducing her own brains` powers  to escape from brain damage:


`When the dead rise, they will neither marry nor be given in marriage; they will be like the angels in heaven.` (Mk: 12. 25)





 For the Morris dancers, who represent the breeders, Salvation and Resurrection of `woman`s seed` is just Jesus` `hobby horse`,2 and not to be taken more seriously than as a breeding possibility, because Satan is the power of the `serpent`s seed` of men upon the Earth and not God`s `seed`. The Earl of Rhone represents the individual who thinks they can escape from being bred as an intelligent mule to serve the apes of God with its innovativeness, for example, humanity`s inventions of the internet or satellite television, which the brain damaged are able to create despite the apes handicapping the humans to maintain the `hobby horse`3 ridden by the simian intellects of her demonic slave drivers.



1 Clark, Stuart `The Devil, God`s Ape` in Thinking with Demons: The Idea of Witchcraft in Early Modern Europe, Oxford University Press, 1999.


2 Because `hobbyhorse` symbolizes sex as animal instinct sublimated into various engaging pastimes, `hobby`  has come to mean what is harmlessly obsessive.


 3 Cawte, E. C. Ritual Animal Disguise, DS Brewer for the Folklore Society, London, 1978, pp. 8-9.