Thals, Kaleds and Daleks with Britney Spears In `Oops! ... I Did It Again`

20/06/2016 14:42

Thals, Kaleds and Daleks with Britney Spears In `Oops! ... I Did It Again`

 

Doctor Who is the perennial science fiction television series produced by the British Broadcasting Corporation (BBC) since 1963 about a time-traveler from the planet, Gallifrey, who invariably has a female assistant that he picks up along the way. The first actor in the role of Doctor Who was William Hartnell, although the part has been taken by several actors in the course of the seasons and a plot device of transformation is used to explain each new doctor`s changed appearance. `The Doctor`, as he`s invariably known, encounters aliens, who`re helpful or antagonistic, and there are enemies amongst them, who`re as perennial as the `TV` show itself; for example, the Daleks. The most popular premise is that they lived on the planet Skaro, which was ravaged by war between the blonde Thals and the dark haired Kaleds. When the Kaleds were defeated in a nuclear war, they developed machines for the `remnant` of their life forms, and inhabited the machines as `Daleks`, an anagram of Kaleds.

 

 

 The premise of the series derived from the experimental drug thalidomide, which was developed to make labor pain more bearable for women during birth. The drug, developed by Chemie Grünenthal in Germany during the 1950s, was withdrawn after it was found to result in babies born who were mutated, that is, they were born without limbs; for example. However, it appeared under license to the British pharmaceutical company, Distillers (Biochemicals) Ltd, with the brand name, Distaval. The Doctor Who characterization of the Thals, and the Kaleds, who became limbless inhabitants of the Daleks` machines, was an allegory of the consequences of the thalidomide drug for the children of women in childbirth, who would need a vehicle to enable their movement, because they lacked limbs. The studs on the side of the Daleks are a distinctive feature of the machine inside which the Kaled `monster` moves, crying at the Thals, and the doctor: `Exterminate!`1 It`s a thalidomide crying for redress against the murderers that made it a `monster`, which the studs that make the Daleks resemble something akin to the standard salt and pepper pots in restaurants emphasize.

 

 

 The Dalek studs are in evidence In Britney`s Spears` promotional DVD video release for the single, `Oops! ... I Did It Again` (2000), which is a science fiction short film, set to music with dancing, and Britney`s singing the lyrics to her song, on a planet, ostensibly Mars: `I played with your heart, got lost in the game. Oh baby, baby.`2 A spaceman astronaut, in the style of the North American Space Administration (NASA) Apollo space program to put a man on the moon, is depicted in `Oops! ... I Did It Again` as a `Mission Control` directed `Mars lander`, that is, he`s a baby in a romper suit: `One small step for a man, one giant leap for mankind.`3 Although described as `Mars lander`, the spaceman`s spacesuit, which resembles Neil Armstrong`s NASA Apollo 11`s, which he was wearing when he became the first man on the moon, corresponds to a mother`s `baby walker`, because she doesn`t want Earth to be devastated by a nuclear war similar to that on Skaro producing Daleks instead of Thals and Kaleds, crying at everything that moved: `Exterminate!` Consequently, the studs of the Dalek are a feature of the video appearing outside the spaceman`s spacesuit on the surface of the stage set surrounding Britney Spears` performance of `Oops! ... I Did It Again`, because her Dalek is her baby`s `defense mechanism`.

 Ronald `Ray Gun` Reagan`s March 23, 1982, `Strategic Defense Initiative` (SDI) was for a `ground based missile system` that effectively kept the human species imprisoned on the Earth. Known as `star wars`, because of the Star Wars (1977) movie in which a `Death Star`, built by an evil Empire, orbited planets in order to kill them, Neil Armstrong`s was the `foot`, beneath whose heel Britney`s `baby` was to be exterminated in nuclear Armageddon: `Satan will crush your head with his foot, but you will bruise his heel.` (Gen: 3. 15) Britney Spears` Dalek on Mars, the name of the god of war in Roman mythology, is her `SDI` for protecting her `baby` from the wrong sort of technological leap forward. After the NASA X-15 `spaceplane` program was cancelled, because pilots experienced `blackout` at high altitude pressure, the Apollo space program relied on rockets to deliver a lunar module to the moon`s surface, and the rocket technology was used as the basis of the intercontinental ballistic missile (ICBM) delivery system for nuclear warheads. In science fiction `bug eyed monsters` are BEMs. Consequently, eyes see BEMs (ICBMs) before `Armageddon`(Rev: 16. 16), that is, the apocalyptic battle prophesied by the disciple of Jesus, John, taking place on the plain of Megiddo near the sea port of Haifa in Northern  Israel between good and evil. Because `blackout` prevented men from flying spaceplanes to the moon, it was a sign of evil. Consequently, Jesus` mother, the Virgin Mary, is depicted in Christian iconography as crushing the head of Satan with her `foot`, because Jesus was born uncontaminated by male semen. Human `futanarian` women are capable of sexually reproducing as women with other women, that is, they`re Mary`s `foot` uncontaminated by male semen, like Jesus, so their brains` powers mightn`t experience `blackout` at high altitude pressure.

 On Mars Britney Spears dances wearing a red pilot`s suit symbolizing women`s ability to withstand pressure and `blackout`, that is, spaceplane crashes at the high altitude at which male X-15 pilots` brains couldn`t handle the pressure and they lost consciousness. Blackout was the title of the 2007 Britney Spears` album featuring the single, `Piece Of Me`, and on the cover Britney appears as Jesus crucified, because he represents the coming Resurrection and Ascension to heaven of `woman`s seed` through her own brains` powers: `... with a kid on my arm, I'm still an exceptional earner. And you want a piece of me.`4 The damned woman can handle the pressure, despite the media blackout that doesn`t provide edutainment for her own species of `woman`s seed` to educate her in her futanarian heritage. In `Oops! ... I Did It Again` she raises the spaceman above her own self wearing a white bikini dress while wearing her red pilot`s suit. He hangs there helpless, like a thalidomide infant, without limbs, while `Mission Control` radio him to direct his camera eye attached to his space helmet at a second Britney below, who is a symbol of women`s futanarian capacity for sexual reproduction with herselves as a single species unmarried: `At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) In symbolic terms, the spaceman is the thalidomide inside the Dalek that won`t stop trying to destroy the Earth: `Exterminate!` Whereas Britney Spears in her red pilot`s suit and white bikini dress represent the human futanarian species of `woman`s seed` for Resurrection and Ascension to heaven above, like Jesus, the Apollo rocketeer is ICBMS, that is, icy BEMs, the `bug eyed monster` of the alien eye of the Dalek that wants to watch its extinguishment of the human race in Satanism, but hides its exterminating weapon in front of its victim.

 

 

 The cowboys` fire sticks are directed at Britney as their `red` Indian, because species` genocide against the North American Plains Indians preceded the space program of the North American Space Administration: `Oops! ... You think that I'm sent from above. I'm not that innocent.` The Indians were exterminated by the US` government`s hiring of hunters to kill 60, 000, 000 buffalo, so that they`d starve, and by 1880 the herd numbered approximately 140. When William Hays established the `Hays code` (1930) to ban women from being seen able to sexually reproduce in edutainment films, women were being sex starved to ensure their human species` extinguishment at the behest of the alien: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 In parasitology, parasites are termed `parasitoid` when they emerge from the human host womb to devour the host: `And the dragon was wroth with the woman and went to make war upon the remnant of her seed.` (Rev: 12. 17) Consequently, the serpent, Satan, that tempted Eve, the first woman, to accept the `fruit of the tree of the knowledge of good and evil`, that is, death, grows since its days as the angel turned into a serpent and placed in the paradise of heaven on Earth after rejecting God`s plan that the human host be greater than the angelic. It becomes a parasitoid devourer emergent from the woman`s host womb as her enslaver.

 

 

 Scientists suggest that life on Earth originated with a space borne virus. So the `serpent`s seed` could have inveigled itself into the host wombs of the human futanarian species of `woman`s seed` eons ago to enslave her in ephemerality by killing her before she was able to develop brainpower. God told Eve she`d have `enmity` with the `serpent`s seed` but, if Adam the first man labored while she experienced labor pain after expulsion from Eden, Redemption would occur. Consequently, Jesus` Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` was Redemption for those that understood Jesus` teaching of metanoia, or brain transformation, through repentance and conversion from the sinful nature of the evil parasitoid and accept `woman`s seed` instead. As the human host at the `Last Supper`, Jesus gave `bread and wine` to his disciples as symbols of his `body and blood`, because he didn`t want to be devoured by an evil parasitoid nature. However, after seeing Jesus anointed by a woman with perfume, the disciple Judas, who was known for stealing from the collection plate after a sermon, suggested the perfume be sold to raise money, and Jesus rebuked him: `Leave her alone.` (Mk: 14. 6) Because Judas didn`t want Jesus` `woman`s seed` to sexually reproduce human brainpower threatening to the male brained hegemony of the Roman Empire for war against Jewish occupied Palestine, he betrayed the human host at the `Last Supper` and sold Jesus to the Jewish religious police, the Pharisees, for `thirty pieces of silver` as a `dissident`. The Romans were in the business of manufacturing a single male brained creature wearing each others` clothes in `TV` transvestism to watch kill itself in huge amphitheaters built across the Empire for that purpose. Consequently, Britney Spears `Oops! ... I Did It Again` is a home edutainment theater production for those who want Jesus` teaching, which is `woman`s seed` against the `serpent`s seed` of the parasitoid devourer of the human race, Mars, god of Roman war.

 

 

 On Skaro the Dalek originated from nuclear war between the Thals and the Kaleds, that is, the Kaleds were the Daleks that fought on against the Thals. That fiction is extrapolated from the thalidomide drug administered to mothers in labor pain who bore thalidomide children that analogously approximated to the Daleks in their machines after nuclear war. Of course, the early 1960s war with the Distillers` company over compensation for those nuclear families devastated by the birth of `monsters` was `biological`, that is, over acceptance of differences between humans. The war on Skaro was a race war between Thals and Kaleds producing Thal-eks or Daleks, that is, racism defined the blonde and the dark haired as enemies. Just as the thalidomide babies were defined as `monsters` by racists, and `handicapped` by humanists. Or, in other words, the thalidomide children were extrapolations of what the dark haired Kaleds wanted to do to the Thals with `biological weapons`. Moreover, because ancient Greece institutionalized host womb slavery for women in homosexuality and pederasty for war against `woman`s seed`, HIV/AIDS spread by men`s mixing blood, shit and semen in each others` anuses as the `incurable killer disease` of the late 20th century, was an aspect of the `biological war` waged by men against women, that is, the Thals were extrapolations of `woman`s seed`, and the Daleks were the `serpent`s seed` of the Kaleds that continued to seek their extinction: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was reject `woman`s seed` in preference for men`s.

 

 

 Britney Spears` `Oops! ... I Did It Again` is a depiction of Skaro, where her `TV` dance troupe are a row of scarred veterans of the BEM wars against the sundering of the human futanarian race of `woman`s seed` into distinct entities; with and without semen. The fiction of the enslaving parasitoid upon the Earth is that men and women are separate aspects, or components of a race, whereas they`re sundered by the parasitoid to make it easy for it to devour by pitting one cultural diversity against another; for example, supposedly `advanced` European settlers, at the beginning of the 19th century, against `primitive` North American Plains Indians. It masks the basic identity obtaining between `woman`s seed`, as a single species` unity, and the antagonism of the host womb parasite that emerges to destroy her. For spaceplane pilot Britney, `woman`s seed` aren`t subject to `blackout`, and the ICBM and icy BEM wars have already occurred. The handicapped `baby` has emerged from the biological disaster besetting the nuclear family, but the `blackout` on its mass media edutainment reveals it`s doom. Damned, because it isn`t `woman`s seed`, the infant can`t escape from the Earth`s atmosphere by spaceplane, and the rocketry it`s developed to penetrate the clouds and take a lander to the moon is used to deliver atomic warheads, whereas `woman`s seed` has handled the pressure of `blackout` and escaped, because she`s homo novis.

 

 

 In 2013 the US adapted a British Independent Television show, The Tomorrow People (1973-9), for transmission to its audience. The premise of the ITV show was homo novis, that is, `new man`, and it was conceived by ITV as Doctor Who`s rival, that is, actors Jon Pertwee (1970-74) # 4, and Tom Baker (1974-81) # 5. The Tomorrow People were humans `breaking out`, that is, emerging from the mass with superhuman attributes, which included the power to move objects with the mind, or telekinesis; the power to speak mind to mind, that is, telepathy; and the power to travel by the power of thought, labeled `jaunting` by the show`s creators; or to similarly teleport objects through space. In 1992 The Tomorrow People (1992-5), and their wrist band communicators for speaking with non-telepaths, especially those `breaking out`, were revived in the absence of competition with Doctor Who, which was undergoing a hiatus after Sylvester McCoy (1987-9) # 7, and before Paul McGann (1996) # 8, although the same basic principle of superpowered humans with a genetic inability to kill to defend themselves came to the attention of CBS and Warner Bros., `The CW` network in the US. The `three T`s` were reinforced for the US version of The Tomorrow People (2013) by a fourth, `Temporal Manipulation`, which amounted to video rewind, fast forward, and pause. As is illustrated by the Britney Spears` `Oops! ... I Did It Again` digital recording, or any other. Consequently, Britney Spears` dance troupe and herself are The Tomorrow People for the operator who can manipulate time by rewinding, fast forwarding, and pausing.

 

 

 When the spaceman in `Oops! ... I Did It Again` gives Britney a gift in a small black box, the viewer can`t see what is in it, and she says: `But I thought the old lady dropped it into the ocean in the end?` He replies: `Well, baby, I went down and got it for you.` The `old lady` corresponds to Rose in the movie Titanic (1997) who is depicted dropping the blue diamond pendant, `the heart of the ocean` into the sea at the point of the salvaging of the passenger ship, Titanic, that hit an ice berg and sank on its maiden voyage from Southampton, London, to New York, USA, on April 15, 2012. To fetch the `heart of the ocean` Britney`s spaceman would have to exchange his space helmet for a deep sea diver`s and travel through time and space as a member of The Tomorrow People, which is why he`s depicted leaving the scene walking backwards, after Britney says she didn`t want him to be there: `You shouldn`t have.` The operator with Britney`s The Tomorrow People is `Mission Control`, because the spaceman is a slave of his primitive NASA technology, like the red Indian primitives who were pogromed by the US government. According to Judaic tradition, Satan was the angel, who wouldn`t bow before Adam, whereas in Islam the tradition is that the Shaitan, Iblis, wouldn`t, so Satan, the fallen angelic intellect, is conflated with Iblis, the evil genius. Consequently, men before whom others bow are Satan, so Britney`s spaceman, and the North American Plains Indians, are Adamic primitives who have bowed their heads in slavery to Satanism because their technology is inferior.

 

 

 Although Britney corresponds to Edgar Rice Burroughs` character, in A Princess of Mars (1912), Dejah Thoris receives willing help from Earthman, John Carter, who appears on Barsoom, that is, the fictional Mars of Burroughs` tales of the red Martian Princess, whereas Britney`s spaceman is depicted as a slave. In other words, he`s an abused handicapped child, because he woos her, rather than seeks to escape from Earth. Or, in other words, he`s imprisoned in Satanism, because his technology is inferior. The Titanic movie is about Cal and Jack, and Kate Winslet in the role of young Rose, who takes a fiancée, Cal, aboard, which is why Britney Spears` tannoy is heard on the `Oops! ... I Did It Again` track: `All aboard!` Meeting Jack, she jilts Cal, who plants her diamond in Jack`s pocket, and accuses him of theft. When the ship sinks, Jack drowns, helping passengers to the lifeboats, while Cal is amongst those shooting the passengers to get into the lifeboats. Consequently, the distinction is between those who woo, and those who slave. The rowboats are rowed by those who`re made to row, that is, the robots, so they`ve the scars of Skaro, that is, Dalek machine slaves, which is what the ancient NASA astronaut represents. For Britney, he`s Cal because he woos superior technology, whereas Jack is John, Carter of Barsoom, that is, a hero who isn`t slaved by an operator using `Temporal Manipulation` to put him in a rowboat with the rowers.

 

 

 Glenn Hoddle was once dismissed from his role as England soccer manager on the strength of his alleged fascism towards handicapped people in an interview for The Times newspaper: `You and I have been physically given two hands and two legs and half-decent brains. Some people have not been born like that for a reason. The karma is working from another lifetime. I have nothing to hide about that. It is not only people with disabilities. What you sow, you have to reap.`6 Hoddle`s perspective was interpreted as a belief that people were born disabled as a punishment for what they`d done in a previous life, that is, he assumed reincarnation as a fact, and disability as a consequence attending the rebirth of criminals, who axed him. Perhaps in the past, so he`d be experiencing his punishment on the day he made the wise remark. Hoddle`s wisdom was illuminating, because it explained that humans were being made into slaves by fascist axes wielded against those who don`t woo, according to Britney Spears`, and where `Oops! ... I Did It Again` is the standard plea of the child to an abuser disabling the child in order to persecute its victim, who doesn`t woo in the sense of asking for higher technologies so that they don`t have to plead for mercy from the punisher, who pervertedly sees himself as God`s Dalek pot assault: `Exterminate!` Hoddle was remarking on the simple truth that the evil are disabled, whereas the handicapped aren`t necessarily evil, and the good wouldn`t want the evil to be enabled in release from their karma, because the evil are effectively the bad karma that the good don`t want.

 

 

 Britney Spears` spaceman is her `rowboat`, that is, her `robot`, who saves the `heart of the ocean`, because it`s found in the pocket of Jack`s coat by Rose, who has wrapped it around her while she sits in the lifeboat. Although Britney`s spaceman is a slave, rather than a robot, he`s a machine from her point of view, because it`s the rowboat that saves the `heart of the ocean` in the pocket of Jack`s coat, that is, the spaceman`s a part of the machinery of an elite for whom humans experiencing `Temporal Manipulation` by The Tomorrow People are slaves to things put in their way by the manipulators. Consequently, Britney in `Oops! ... I Did It Again` explains to the spaceman that he`s a reincarnation of Cal and that he should have left the pendant alone, because his karma is the slavery of his desire to atone for betrayal. Redemption, for a victim of karma from a previous incarnation being manipulated by an abuser betrayed, requires the machinery of the elect, that is, a good path with good things along the way, rather than slavery to things that are obstacles to Salvation, which is what `the heart of the ocean` in the pocket of the coat in the rowboat represents, before Rose drops it into the sea at the beginning of the Titanic movie. As Britney Spears` `baby`, the spaceman has to get onto a good path to escape abuse, because slavery as a machine is the lot of humans who accept being manipulated by The Tomorrow People passively, which is what rewind, fast forward and pause in `Oops! ... I Did It Again` denotes. In simple terms, from Britney`s point of view as a redeemer, the spaceman shouldn`t be a part of the Titanic scene with the rowboat and the `heart of the ocean`, because It`s a part of the machinery of damnation. The pendant will always be in the pocket of Jack`s coat wrapped around Rose in the rowboat, because film is a metaphor for damnation. The spaceman wants Redemption for the lifeboat`s Rose, who doesn`t want to be trapped by the robot`s damned thing, that is, `the heart of the ocean` and the other rowers. As a slave she`d have to row for the thing in the boat, Satan.

 

 

 In terms of the allegory of Skaro, those who row, because others scar them, are thalidomides, who`re the result of Kaleds waging nuclear and biological war on the Thal, that is, the `tall legs`, rather than the Daleks. In slave terms, the Thal would then be scarred enough to be rowers for the robot, that is, Satan`s rowboat. Consequently, the Titanic was made to hit an ice berg, so that the passengers would row, because the robot of damnation, that is, the elitist machinery of Cal, and the men who shot the other passengers to sit with Rose in the rowboat, wanted to put the diamond into the pocket of Jack`s coat, so that the damned would always be there with the other rowers. Cal killed Jack, because he didn`t want to let the woman go, and that`s what homosexuality is, because `woman`s seed` doesn`t need men`s. In the final analysis women would row as slaves of the robot, Satan, in the rowboat, which they already do as host womb slaves in parasitism, but that film would be too informative, so the damned are represented as shooting the good people, so they can sit in the rowboat, while the planter of the diamond there plans on making the women row, because they aren`t sexual beings to the homosexual who, in terms of clinical psychology, is a parasitoid devourer. Or, in other words, the ice berg that sank the Titanic was a tooth in the mouth of the parasitoid devourer, who wanted Rose in the rowboat to row.

 

 

 In `Oops! ... I Did It Again` Britney, in her spaceplane pilot`s suit, is a red rose, while the white rose is herself in the white bikini dress that she winches the spaceman up to film with his camera eye attached to his space helmet. The spaceplane pilot doesn`t want to be with the other rowers, that is, the white rose and the robot slaves, because they`re Pod`s assault force. In Robert A. Heinlein`s science fiction juvenile novel for girls, Podkayne Of Mars (1963), the central character, `the Poddy beautiful`, wants to be a starship pilot, and in Starship Troopers (1959) women pilots are mothers preparing to drop their boy sons, that is, their poisons, who`re their `biological weapons`, on the planet of Klendathu to fight in the war against the `bug eyed monsters`, that is, in Pod`s assault against the BEMs. In `Oops! ... I Did It Again` Britney`s Pod `Cayenne` Pepper, rather than Pod`s assault force, in an allusion to Pepper Potts, who was actress Gwyneth Paltrow in the film, Iron Man (2008), in which actor, Robert Downey Jr., had the role of the Marvel comic book superhero, whose iron suit supports a weak heart. Britney`s Iron Man is her Dalek, that is, the stage set of `Oops! ... I Did It Again`, with her salt and pepper pots` studs. She`s Podkayne on Mars, because Cain was the first murderer in the Bible who killed his brother, Abel, as he was able to cook, while Cain`s offering of picked fruit on the altar was less pleasing to God than Abel`s, so Cain jealously killed his more able brother. Although Podkayne is accidentally killed by her brother, Clarke, in Heinlein`s Podkayne Of Mars, after the pair are kidnapped, and Clarke detonates a `small` atomic device to kill the kidnappers, the readers demand that she be resurrected persuaded Heinlein to rewrite. In her red suit, Britney`s Podkayne is mother pilot `Pepper` Pod preparing her white `Rose` Pod`s assault on Klendathu`s BEMs. Britney`s Dalek is her Iron Man, lest Pod`s assault lose heart.

 In Heinlein`s Starship Troopers the fiction is that the women fight alongside the men. It was criticized for being `fascistoid`, because of a requirement similar to that of the Roman Empire`s, where citizens had to support the military: `Suddenly he pointed his stump at me. `You. What is the moral difference, if any, between the soldier and the civilian?`` Lt. Col. Jean V. Dubois (Ret.) is a battle scarred paraplegic, who teaches `History and Moral Philosophy`, whereas a thalidomide is born without limbs: `A soldier accepts personal responsibility for the safety of the body politic of which he is a member, defending it, if need be, with his life. The civilian does not.`7 Rome`s fasces emblem of a bundle of wood with an axe was used by the German National Socialist `Nazi` Party after 1933 as a symbol of its construction of `death camps` for the extermination of Jesus` `seed`, that is, the futanarian `chosen people` of the Jews. The Nazis were Christian and stacked the bodies of the Jews like logs before burning them. Although the Romans only lent their fasces emblem of a bundle of wood with an axe, and weren`t Christian, the paraplegic Dubois from Starship Troopers, or the thalidomide occupant of the Dalek in Doctor Who, are obviously heroes of fascism, because they lost their limbs under fire and so pose no threat to society.

 

 

 The `seed` of Judaism was Isaac`s, who was born of Abraham`s wife, Sara, who barren afterwards gave her maid, Hajer, to Abraham, and Hajer bore Ishmael, founder of Islam through his descendant, Mohamed, who received the Koran (610-30 C.E.) from the angels, who`d been told that the human host should be greater than the angelic. Moslems are permitted four wives; ostensibly in retroaction to the legitimizing of Ishmael`s birth from unwed Hajer. However, as Judeo-Christianity`s is a futanarian tradition, and four wives admit of the possibility of sexual reproduction between women, Moslem Islam isn`t homosexual, whereas the supposed tradition of women fighting alongside men in support of fascism is, because they don`t want to walk into the fire.

 

 

 If women`s eyes see BEMs (ICBMs), it`s because they didn`t fight men. Beneath the camera eye of the spaceman, Britney in her white bikini dress atop a star is, `Compass Rose`: `I cry, watching the days.` She`s looking for the land promised to `woman`s seed`. Her spaceman is Mars` slander, because the Roman war god`s slander is that `woman`s seed` are men`s enemies. Consequently, `woman`s seed` has to treat the boy sons, that is, the poisons, of the developing adult as an infant terrible, which prefers the rowers of the damned to Rose of the Cross, which is Rosicrucianism: `... to heal the sick without payment.`8 On the cover of `Piece Of Me`, her single release from Blackout (2007), Britney Spears appears on the cross of Jesus crucified, because she`ll be Rose risen, that is, an edutainer against the evil of host womb enslavement of women`s human species of `woman`s seed` in blind unconscious ignorance, which her crucifiers are for, because they`re sick, and she wants to heal them of that: `I'm Mrs 'Most likely to get on the TV for strippin' on the streets' when getting the groceries, no, for real ... are you kidding me?`  The `TV` is men and women manufactured by the `serpent`s seed` as a single male brained creature wearing each others` clothes as a transvestite for war against itself extrapolated in Starship Troopers as a fictional alien intelligence, which women nakedly are against, because they`ve their own `seed` to defend against the boy`s owner, Satan, who wants to box God, so he can hide inside the lid of the Daleks, whereas `woman`s seed` wants Thal legs, and to be immortal, rather than ova.

   

1 Skelton, Roy as Dalek Voices in Doctor Who, `Genesis Of The Daleks`, written by Terry Nation, and directed by David Maloney, Season # 12, Serial # 4, Episodes 1-6, BBC 1, March 8 – April 12, 1975.

2 Martin, Max, and Rami Yacoub, Britney Spears `Oops! ... I Did It Again`, Oops! ... I Did It Again, Jive, 2000.

3 Armstrong, Neil, July 21, 1969, UTC: 2. 56.

4 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg, Britney Spears, `Piece Of Me`, Blackout, Jive, 2007.

5 TV Tropes, `Foot Popping`, https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping/ .

6 Dickinson, Matt, `Hoddle puts his faith in God and England`, The Times, January 30, 1999.

7 Heinlein, Robert A. Starship Troopers, 1959, G. P. Putnam`s Sons, Ch. 2, p.25.

8 Bernard, Gorceix, La Bible Des Rose-Croix, Paris, 1970, https://en.wikipedia.org/wiki/Rosicrucianism .