No Other Gods Before Me
No Other Gods Before Me
In the Garden of Eden, God explains to Eve her `seed` will have `perpetual enmity` (Gen: 3. 15) with the serpent and its `seed` because it’s a poisoner, `You shall be as gods.` Eve is tempted to eat of the `fruit of the tree of the knowledge of good and evil`, which is death, and Adam, the first man, also eats, so God expels them from paradise on Earth with the promise that Eve`s `seed` will `crush the head of the serpent as she leaves.` How she crushes the evil poisoner is the story of Redemption which culminates in the birth of Jesus uncontaminated by male semen, that is, the semen of the poisoner, which spreads HIV/AIDS through mixing blood, shit and semen in the anuses of humans through sterile mockeries of sexual reproduction, that is, the `serpent`s seed` is homosexual treachery. Before Jesus` Resurrection and Ascension to heaven after death, he was betrayed by one of his disciples, Judas Iscariot, after offering `bread and wine`, as symbols of his `body and blood`, that is, he was `woman`s seed` born from his mother, the Virgin Mary, as the host womb of the future human species whom Jesus represents as the host at the `Last Supper` betrayed by the `serpent`s seed`, Judas, who`s the traitor to the future human race:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
The future `futanarian` woman is the woman killed and culled since Eden to fulfil the serpent`s promise to Adam and Eve, `You shall be as gods.` The descendants of God`s original breeding pair live in womb slavery to death in pederasty and war`s contagions, that is, `futanarian` woman with her own penis` semen and host womb born after Eden represented the human species enslaved and killed to prevent the `seed` of Eve from sexually reproducing her own brains` powers to labor save and escape from her captors to `heaven above` Earth`s moon through colonization of the planets amongst the stars. Jesus` Resurrection and Ascension to heaven after death prefigures the Resurrection of `woman`s seed`:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
When the woman is off her ring, she`s an escaped slave, so her poisonous jailors have developed the HIV/AIDS virus as a `biological weapon` to keep her in fearful faithfulness to her killers. Her human race becomes `offering to the `false guards` because she`s their prisoner. The human race is enslaved because woman with her own penis` semen and host womb is the captive of the `serpent`s seed`, which exists as her parasite inveigling itself into her host womb to enslave the women to pederasty in war and death`s contagion:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
In ancient Greece women`s host wombs were enslaved in pederasty to spread war and its contagion. By the late 20th century the HIV/AIDS virus was being spread to the human brain after it`d declared itself friendly to the white leukocyte cells of the human body`s defence system in order to kill the brain, that is, the virus practices the same mode of treachery against the human race that Judas Iscariot practiced when he betrayed Jesus as representing the host womb of the human species at the `Last Supper` before Judas gave the Messiah over to the Roman occupation of Palestine as a `dissident` teacher to be nailed to a wooden cross and be tortured to death for his crime of being `woman`s seed` born uncontaminate from his mother, the Virgin Mary, as a prefiguration of the Resurrection of the `futanarian` future woman with her own penis` semen and host womb for the sexual reproduction of her own brains` powers for liberating her own species of woman.
The late 20th century `bad machine code` devised by programers to infect and kill computer brains continues the paradigm of HIV/AIDS in pederasty and war against the human species because its `Trojans` function in the same way as the `Trojan horse` before the gates of Troy taken in by the Trojans within their city walls where the Greeks emerged to enslave the host wombs of the women to spread their contagion of homosexuality and war in pederasty. The huge hollow wooden `Trojan horse` represented homosexuality and HIV/AIDS feigning friendship for the host of the body it kills because the Greeks left it as a false gift to the false guards who took it inside the walls of Troy and let the killer virus emerge. Preferring false guards, that is, the `false gods` God forbids in the Bible, the Trojans wouldn`t heed their priest Laocoon`s warning:
`Beware Greeks bearing gifts.`1
The Trojans believed the huge hollow wooden horse was for the goddess of the city, Pallas Athene, whose symbol was a horse, as an acknowledgment from the Greeks that the city they were besieging had resisted them. The `Trojan horse` was belief in false guards, because Pallas wasn`t the goddess of the city of Troy, she was the woman they had there as their slave, because they worshipped the false gods of pederasty in war and that`s why the Trojan guards, as Laocoon cogently perceived, let the Greek contamination within the city`s walls.
Jesus was woman`s Messiah which is Meshiah in Hebrew, that is, in Jewish Palestine at the time of Jesus` teaching there, because he represents the future of the Meshiahn age of the machine as a labor saving device like the computer brain of the 20th century devised to assist the human species, whereas men are women`s idiot killers, who serve no other function, because `futanarian` women can sexually reproduce her own brains` powers for liberation from her enslavers in war and pederasty. Consequently, men`s socio economic history is of low technology in the service of keeping her prisoner. The killer disease of HIV/AIDS remains incurable because it serves men`s terrorism and a cure would open up the possibility for sexual liberation for her own species to reproduce with her own penis` semen and host womb. Freed she`d have her own brains` powers for the devising of high technology so she`s kept in ring slavery to male brain her with the `serpent`s seed` and keep her in `low tech` womb slavery to war and death. As male braining is the creation of a creature without human female semen as a part of its gene pool, people are a transvestite wearing each others` clothes as a `TV`, so television is the medium where the `TV` is watched by the species` killers as entertainment. Simple analysis reveals `TV` as a woman being chased by a killer she worships as a false guard, that is, men are the `false gods` God forbade the Jews to worship when he gave Moses the law:
`You shall have no other gods before me.` (Ex: 20. 3)
The history of the Jews, who were called the `chosen people` in the Bible, is marred by the German National Socialist (Nazi) Party`s government interning them in camps subsequent to the election of leader Adolf Hitler to the role of Chancellor on 20 January, 1933, and the Nazis taking the opportunity to blame Jewish `dissidents` for the burning of the Reichstag on 27 February, 1933. The internment camps became death centres in the course of WWII (1939-45), where 6, 000, 000 `chosen people` were killed. In Judaism it isn`t possible to be born a Jew unless from a woman, which means women are the `chosen people` and the Nazis were seeking to prevent the `futanarian` human species of woman from sexually reproducing, in accordance with God`s plan, and so pogromed the human race to keep her their enslaved womb for pederasty in war. Hollywood movies of WWII are `TV wars` in which the male brained transvestite performs in each others` clothes for the entertainment of the `serpent`s seed` in pederasty and war. In the film Sophie`s Choice (1982) Meryl Streep is asked by a Nazi concentration camp guard in the role of worshipped `false god` which of her children she wants to keep because either the boy or girl is to be exterminated. Sophie chooses the girl because, as the `chosen people`, that`s what Jewish women are trained for:
`They're human beings, if that's what you mean. Indulging their favorite pastime of trying to destroy each other.`2
The socio-history of `TV` in male braining for pederasty and war is of a girl running to find a bedroom where she can have sex with her own race and reproduce herself. The long running English science fiction `TV` show Doctor Who (1963-) is iconic in depicting the predicament of the human species` `little girl` trying to escape her captors and killers. The prototypical English hero of the movies is James Bond, who is a killer preventing people from being able to see, which means he`s representative of Nazi pogromers who don`t want women, as the humans species of `futanarian` with her own penis`s semen and host womb, to be born, or to be able to see that they should be, and so the Nazis killed them. But the standard British `TV` program is of a castrated male representing `woman`s seed` escorting a woman around with whom he has no sexual contact, because sex isn`t for children. That`s of no comfort to the human species` infant who can`t comprehend why the man, `the doctor` in Doctor Who, is standing between her and the sexually desirable `assistant` who doesn`t want her sexually by `moral code`, and so represents a `false god`, who is a false guard mocking the human girl`s inability to sexually reproduce as a woman because he won`t get out of the way and he blinds or occludes her species so she`s unaware of the false façade:
`… human beings worship the great god Santa, a creature with fearsome claws and his wife Mary. And every Christmas Eve, the people of UK go to war with the country of Turkey. They then eat the Turkey people for Christmas dinner, like savages.`3
James Bond is the killer who beds the women because he`s a killer of her species. In the movie War Of The Worlds (2005) the science fiction premise is of aliens who`ve invaded the Earth, which is what men as women`s parasite inveigling themselves into her host womb to steal her penis` semen and reproduce themselves in pederasty and wars against the human species of `woman`s seed` upon the Earth represent. The opening sequence of the film is of child star and young female lead, Dakota Fanning, running along the street while the Martian war machine, representing men`s `serpent`s seed`, slays her family and other relationships with its death rays about her, that is, it`s a scene familiar to English `TV` viewers watching Doctor Who, where `the doctor` and his female assistant are threatened by Dalek machines containing what remains of a human population scarred by nuclear holocaust, screaming at the pair`s impossibility of human reproductive union, which is forbidden by English TV`s `moral code` for the infancy of the human race:
`Exterminate! Exterminate!`4
What is being exterminated is the possibility of human women with penis` semen and host wombs of their own sexually reproducing their own brains` powers for technological progress that would allow her to escape from the alien `serpent`s seed` of men to the planets and stars through space travel. The basic premise of Doctor Who is that the Tardis the pair travel in is a time machine as well as a spaceship, but the female viewer is occluded from the perception that the man is a false guard protecting himself from the girl viewer`s knowledge that he`s with her natural sex partner by pretending that sex is immoral or that machines wouldn`t be sufficient assistance for her:
`I don't believe that man was made to be controlled by machines. Machines can make laws, but they can not preserve justice. Only human beings can do that.`5
What the doctor is saying is that he doesn`t want women to be out of the control of men through technology. In Hollywood the `one foot on the floor rule` for bedroom scenes enforced by the Hays` code (1930-67) mocked women`s capacity for sexual reproduction through her own penis` semen and host womb by making it impossible for a woman`s penis to be seen or even dreamt of in mainstream movies in the United States of America before the ban on sexual intimacy was lifted and celebrated with the mocking movie, Barefoot In The Park, (1967) which featured bedroom scenes of `leading man`, Robert Redford, and sex symbol, Jane Fonda, delimiting what was humanly possible in sexual terms. Hollywood`s was a concerted effort to prevent the `foot` of God`s `futanarian` human species of `woman`s seed`, with her own penis` semen and host womb, from being seen naked in mainstream film or `TV`, which would be an `improvement` developed by Scots` inventor John Logie Baird in 1926. Hollywood could present its filmed history of the wars of the male brained alien species it had created in Babylon Hollywood as `TV ` transvesitsm in which the monstrous abomination wearing each others` clothes killed itself regularly for the entertainment of the `serpent`s seed` who were the aliens that had enslaved the womb of the women of the Earth to make the humans perform in its circus:
`You can't rule the world in hiding. You've got to come out on the balcony sometimes and wave a tentacle.`6
The term `circus` is used to describe spy rings, which are an extension of women`s slave rings in pederasty and war, that is, she`s blind and occluded because her human species from her own host womb and penis` semen is dead or dying and being blinded in pederasty and war and she`s not supposed to awaken from that knowledge to save herself, which is why Jesus born uncontaminated by male semen is the Messiah of the machine age to save women`s labor and free her from womb slavery to war in pederasty and death worship. Although Jesus` death, Resurrection and Ascension to heaven is a prefiguration of the need for the Resurrection of `woman`s seed`, which is why Jesus is the human species` Messiah and saviour, the `serpent`s seed` of Hollywood have established death worship in TV wars` male braining as Christianity, because Jesus wasn`t a hero to men. Even after Jesus` `Second Coming` born from the woman `clothed with the sun and with the moon at her feet` with a `sword coming out of his mouth` he doesn`t fight but commands, which makes him unheroic to the fight promoters who want male brained `TV wars` and so have enslaved the host wombs of women in parasitism to produce them for Hollywood to film and then show as `TV` to enthuse a new generation of non-heroes who view Jesus as someone to fight for, like Adolf Hitler, rather than as `woman`s seed`, that is, the `chosen people` of `futanarian` human woman with her own penis` semen and host womb for the sexual reproduction of humans. The Earth isn`t interested in fighting at all, which is why Jesus` command is to stop the `serpent`s seed`, while Hollywood is a fight promoter driving the aliens on to kill the woman:
`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)
The wings of the eagle may be the emblematic eagle upon the `Great Seal` of the United States of America as the authority of the President to wage war in defence of the hymen of the woman of the human species, which might be why the US special forces are called Navy Seals and symbolically killed Osama Ben Laden, terrorist leader of Al Qaeda` misogynist Taliban Afghanistan government trained hijackers who crashed planes into the Twin Towers of New York`s World Trade Centre on September 11, 2001. US Navy Seal Team Six killed Osama Ben Laden on 2 May, 2011, because Laden had reestablished global `rough trade`, that is, the `brutality and violence` associated with men who pay men in homosexuality, which is pederasty in war and women`s womb enslavement for that purpose.
Supporting Al Qaeda was the Iraq dictator, Saddam Hussein, whose name meant `small handsome man` and `crusher` of `woman`s seed`, `he shall crush your head with his foot and you shall bruise his heel,` (Gen: 3. 15) because the `TV war` began again `live on CNN` and other news networked `TV` channels as the planes crashed into the WTC so that the `leading man` prepared by Hollywood for generations, Saddam Hussein, the `small handsome man` could `star` on the `small screen` from his more ancient seat of Babylon in Iraq.
Billing himself as the representer of Islam, the Moslem faith in the Koran (610-30 C.E.) traditionally dictated to the Prophet Mohamed by the angels, Saddam Hussein was a `false god`, because he was a false guard. In `Islam`, which means `accept`, Jesus` Ascension follows the Christian tradition of the Assumption of the Virgin Mary bodily into heaven because it isn`t felt necessary to describe the basis for the Resurrection for `woman`s seed` to Moslem women in Islam where four wives are allowed in a marriage making `futanarian` sexual reproduction between women with their own penis` semen and host womb possible and hidden from public knowledge, which is why they wear the one piece coverall of the burkha in public, so only their eyes can be seen, and they can recognize and know each other, but not men, who`re told to avert their eyes and never speak to women who aren`t of their immediate family: unless their family allow it. Jesus` death and Resurrection is a Christian tenet of belief that can promote death worship, while Jesus` birth uncontaminated by male semen is his death`s meaning, because his birth and death prefigure the Resurrection of `woman`s seed`, whereas in `Islam`, that is, `accept`, woman`s Resurrection is implied in the marriage format, so Jesus` bodily Assumption to heaven, like Christianity`s Virgin Mary`s without death, is more appropriate as a symbol, because Jesus` life`s meaning is accepted as advocating the Resurrection of `futanarian` woman with her own penis` semen and host womb for the sexual reproduction of her own human race.
The British Broadcasting Corporation (BBC) television company was founded on 18 October, 1922, although the BBC didn`t begin transmitting television programs until 1932 when reception was paid for by license fees devised by the UK government as a means of financing what the US calls `public broadcasting`, because it isn`t financed by appeals to advertising revenue from programs made that satisfy product advertisers` needs, such as cigarette related ads, which was the pre-AIDS killer disease of `smoking`. Cigarette smoking was banned in the 20th century from television but made a 21st century comeback in the United States with Madmen featured male and female smokers covertly celebrating the extinction of the woman`s penis. In Russia `smoking` is a euphemism for fellatio while also being a euphemism for killing someone. Consequently, Madmen (2007-) depicted `admen` as male brained madwomen `smoking` cigarettes as a symbol of the death of the human species. BBC TV never had ads and was given a direct responsibility to the viewing public by the UK government when created as a semi-independent provider of programs with a remit to educate and inform as well as entertain.
Doctor Who began on BBC TV in 1963 and the original `doctor` was grandfatherly William Hartnell (1963-66), who was the first to encounter the Daleks of the planet Skaro with their `Exterminate!` cries directed at him and his assistant, granddaughter Susan, that is, actress Carole Ford. The Daleks had already participated in an extermination of their blonde human rivals the Thals as the Kaleds who were dark haired humans, which was the reason for the war. In the United States the theme was taken up by their own science fiction `TV` series, Star Trek (1965-) in which the crew of the starship enterprise discover a planet engaged in an internecine war between peoples who are black on one side of the face and white on the other. When Captain Kirk of the USS Enterprise starship, actor William Shatner, expresses his puzzlement to Bele, actor Frank Gorshin rages:
`I am black on the right side!`7
Although the episode, `Let That Be Your Last Battlefield`, is entertaining, it`s only partially informative. Written by Gene L. Coon, science fiction writer, during the period of intense debate about `Civil Rights` for black people, who`d been taken to the United States as slaves from Africa. Indeed, although the American Civil War (1861-5) was a war of liberation for them, in the 1960s `bussing` was still a feature of life whereby black and white children were segregated and educated in different schools. To facilitate the division children had separate buses to take them to school, which was viewed as Nazism, because they were effectively `concentration camps` for blacks and, theoretically, not `concentration camps` for whites, although the real issue was the same as that for the `chosen people` of woman under the Nazi pogroms. She mustn`t know she`s the `futanarian` species of Earth with her own penis` semen and host womb, so the false guard of miscegenation was appointed to defend race purity, that is, as a `false god` forbidden by God, because women of whatever race, color or creed are a single `futanarian` species with her own penis` semen and host womb.
The crew of the starship Enterprise devolve into `false gods`, as false guards pretending to be grandfatherly towards their granddaughters, like `the doctor`, William Hartnell in Doctor Who, as the character Susan Foreman`s grandfather. The `moral code`, which has the actors archly performing `camp` roles that deny the normal sexuality of `futanarian` women towards each other, like Kirk in Star Trek and Hartnell in Doctor Who, prevents exposure of women to the reality of their own penis` `seed` and actively prevents them from sexually reproducing, as women, the human race. Although Kirk`s dialogue with Bele, in `Let That Be Your Last Battlefield`, seems anti-racist, it`s disinformative because it`s a masking of the truth, which is that men`s racism is directed at women as the parasite from her womb that destroys her human species before she can be born and educated to fight against the enslavers of her race by breeding with herselves her own brains` powers to liberate:
`Your species has the most amazing capacity for self-deception, matched only by its ingenuity when trying to destroy itself.`8
The doctor undergoes several transformations in the course of the character`s adventures, which is partly due to the changing needs of the period in which the actor in the role must change or be changed to meet the expectations of a new generation. Each decade had its own particular character and so the character for the UK`s viewing audience had to change, or be changed, to represent the character of the decade, for example, the 1960s were characterized as the age of the hippies and sexual liberation for males, which is reflected in Patrick Troughton`s (1966-69) dressing in the garb of a nineteenth century `dandy` when he took over the role of `the doctor`, while Jon Pertwee (1970-74) was described as having the dress and demeanour of a `fop`,9 which is a more general term meaning the same thing, that is, a vain male, when he became another new doctor replacing the old, `I don't want to go,`10 in the familiar to regular viewers transformation scene. Pertwee`s transformation came at the start of the decade of the 1970s, which saw the inauguration of color `TV` in the UK with BBC 2`s Play School (1964-88) for kindergartener`s in May 1968, and men thereafter behaved like peacocks after seeing how colorful they could seem to children.
Dr Who`s costumery became increasingly bizarre over the seasons after Tom Baker (1974-81) took over the role from Jon Pertwee, while his successor in the role, Peter Davison, adopting a Henley regatta persona and costume to fit in with the new romanticism of popular culture in vogue throughout the 1980s, was told by David Tennant, the tenth doctor, during an episode in which the doctors convened to debate something of importance to the cosmos, that Davison was someone who`d say, `Hey, I'm the Doctor, I can save the universe using a kettle and some string! And look at me, I'm wearing a vegetable.`11 Colin Baker`s (1984-86) flamboyant harlequin reprised Tom Baker`s particolored tramp during the period when English society was inspired by fantasy, that is, the prince and princess of faerie, Charles Windsor and Diana Spencer, a relative of Edmund Spenser who`d written the poem, The Faerie Queene (1590), about Elizabeth I, and Diana was mooted as a future faerie queen of England alongside Charles, heir to the throne of his mother, Elizabeth II of England, before the pair`s divorce and Diana`s subsequent untimely death in a car accident in the Pont D` Alma tunnel, Paris, France, where she`d been pursued by paparazzi on motorcycles trying to get a photo of her new boyfriend, Egyptian heir to the exclusive Harrods` London retail store, Dodi Fayed, who was sitting with her in the pursued car and who was also killed. Despite a huge welter of emotion and flowers strewn before the gates at Buckingham Palace, the English queen`s official residence, the new age of romanticism was felt to have ended:
`Why then should witless man so much misweene; that nothing is but that which he hath seene?12
Doctor Who`s characterization was `cavalier` with Sylvester McCoy (1987-96) as a `madcap` whose less studied attention to his garments resulted in an appearance even more odd and bizarre than other of the doctors with the discovery of curious oddities left carelessly in his pockets was a feature of the show`s humor, but after the demise of Diana on 3 August, 1997, Doctor Who took on a darker tone more in keeping with the then common rumors of Princess Diana assassination plots as Paul McGann took over the role of Doctor Who looking like Sir Arthur Conan Doyle`s nineteenth century fictional detective Sherlock Holmes. Christopher Eccleston was leather beclad for a season in 2005 while the nation toyed with the harder image of the biker boy killer of all those who might conceivably have been responsible for Diana`s death, but successor David Tennant (2005-10) was pin striped in traditional English business style as England got to grips with life after romance. Matt Smith (2010-13) wore the clothes of a nineteenth century Boston lawyer from the United States of America, `Bow ties are cool,`13 presumably to press the bar to rule for the plaintiff, who was `the doctor` still running down corridors with young women pretending to protect them from such immoralities as bedroom scenes for the sake of the children who might be watching unaware that women have their own penis` semen as `futanarian` and so the assistant represents the victim of the convicted criminal striving to escape and find a room alone with her natural sex partner; another woman. Consequently, although Matt Smith looks like a lawyer from Boston, he`s the representative male plaintiff who can expect nothing from God`s judgement except unendurable eternal pain if he doesn`t convert from men`s sin of subjugating `woman`s seed` in womb slavery to pederasty and war.
Peter Capaldi (2013-) has the image of George Du Maurier`s Svengali from the novel, Trilby (1895), where Svengali is a modern byword for men`s hypnotic effect upon women. Trilby was hypnotized into becoming a great singer by her Svengali so, because of the subtext in Doctor Who, Capaldi`s image denotes women`s being mesmerized into accepting their role as castrated humanity, rather than as the fatherers of the human race, which God`s `seed` would be if `futanarian` woman with her own penis` semen and host womb sexually reproduced without daddy`s employing their animal magnetism to coerce belief in the `big lie` that men are women`s defenders and not her blinders in unconsciousness and occlusion:
`... the future lies this way.`14
Running down corridors avoiding bedrooms would seem farcical unless the protagonists weren`t of the same species and one or other of them had to mesmerize the other that they were sexually interested so as to make the show viable for an audience who don`t know the truth. As the BBC was created to be a public educative medium, young men running down corridors with young women is immoral if they don`t find a bed together, because it precludes young women running down corridors together as Doctor Who and her assistant with the unspoken inference that they`re probably sleeping together anyway because, although she`s Redemption in the spirit of Jesus on her ring for her husband, it`s her nature not to be a human sacrifice off her ring. Because her nature`s her mother`s and not her killers`.
1 Virgil, The Aeneid, Bk II, 19 B.C.
2 Troughton, Patrick `The Enemy Of The World`, Series 5, Serial 4, 23 December, 1967 - 27 January, 1968.
3 Tennant, David `Voyage Of The Damned`, Season 4, 7 September, 2010.
4 `The Daleks`, Season 1, Serial 2, 21 December, 1963 - 1 February, 1964.
5 Hartnell, WIlliam `The Keys Of Marinus`, Season 1, Serial 5, 11 April - 16 May, 1964.
6 Baker, Tom `Terror Of The Zygons`, Series 13, Episode 4, 30 August - 20 September, 1975.
7 Gorshin Frank as Bele in Star Trek `Let That Be Your Last Battlefield`, Season 3, Episode 15, 10 January, 1969.
8 McCoy, Sylvester `Remembrance Of The Daleks: Part One`, Season 25, Serial 1, 15 October, 1988.
9 `A man who is excessively vain and concerned about his dress, appearance, and manners.` https://dictionary.reference.com/browse/fop .
10 Tennant `The End Of Time: Part Two`, 25 December, 2009, - 1 January, 2010.
11 Tennant `Time Crash`, 16 November, 2007.
12 Spenser, Edmund The Faerie Queene, 1590.
13 Smith, Matt `The Eleventh Hour`, Series 5, Episode 1, 3 April, 2010.
14 Baker `Logopolis: Part One`, Season 18, Episode 25, 28 February, 1981.